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I've released several critically-acclaimed albums of fringy pop-rock music (in a style described by one reviewer as a cross between Elliott Smith and Frank Zappa), and have composed music for chamber groups, film, and theater. In the 1990s I was active in Chicago's contemporary classical music scene as a composer and concert series organizer (I studied composition with Dika Newlin in Richmond, and Patricia Morehead in Chicago). I'm currently mixing an album called Verbum Sap. My main instrument is guitar.SELECTED DISCOGRAPHY:Neon and Gold (2006)Culture of Self (2007)Reattachment (2008)Den of Maniacs (2010)Verbum Sap (forthcoming)SELECTED PRESS CLIPS:"​...Reattachment reveals Wallace’s brilliance as a rock composer and instrumentalist as well as his gift for writing and delivering obscure but intriguing lyrics."​ —The Phantom Tollbooth"​...Wallace wastes no time proclaiming his aural affection for a few different strains of guitar goddery on Reattachment."​ —American Songwriter Magazine"Varied songs such as the sweeping, orchestral ‘Go Away,’ Django Reinhardt-inspired ‘Morceau,’ and piano-driven ‘Fever’ ensure [that Den of Maniacs] is another unqualified winner."​ —Big Takeover Magazine"He not only blenderizes just about every song on [Reattachment], he does so with a style and grace that is almost unthinkable."​ —Aiding & Abetting"Culture Of Self is about daring to be different, and the magic that comes when you do. Even if it were only half as good as it is, it should be treasured for its originality alone."​ —Americana UK"Still amazing after all these years."​ —Aiding & Abetting on Den of Maniacs"Maybe it’s the neo-psychedelic arrangements, the Alice-in-Wonderland lyrics or the smooth-as-silk delivery. Maybe we should listen again."​ —Performing Songwriter Magazine on Neon and Gold"If you listen to Dungen, The Shins, The Eels and Zappa then add this man to your collection of unerring folk pop music." —Glasswerk National on Reattachment