Daily show operations of technical director (TD) and audio board operator for live television and radio production. Stacking automation for off-air playback, as well as compilation and editing of promotional materials, billboards, and full-length programmes. Operated, advised, and assisted in the migration of radio productions to live video simulcast environment.

Works as an audio or general broadcast engineer for a range of programmes, including pre-production, live TV and radio board operations. Position requires knowledge of SAS, Dante, and in-house studio routing.

Worked in story development for local-interest radio shows conceptualising episodes, finding guests, performing the necessary background research, and accomplishing various audio editing tasks. Additionally worked as a board operator, field audio technician, and assisted with other general engineering tasks.

Founded broadcast-based production team specializing in work with performing arts ensembles, perform all aspects of show operations: booking, planning, venue and client communications, marketing, site operations, uplink and distribution, mixing, directing, and TD.

Studio PCR and REMI production engineering, and responsible day-to-day upkeep, configuration, and maintenance of studio operations at network headquarters. Assisted in the migration of studio operations from baseband to native-IP, and the first production of fully remote shows with Big 10, Sunday Night Football and the Paris Olympics.

Oversees all technical aspects, including maintaing a series of edit suites, maintaining all studio and office computers in a local network, upkeep of ROSS Xpression and Inception, RUSHWORKS A-List, Avid NEXUS Data Servers, Dante Networking, as well as any other techincal needs the organisation has. Currently working on building a truck-in-a-box in order to allow the organisation mobile streaming capabilities for campus events.

Oversees all aspects of audio implementation for packages and live-broadcast. Assists with video editing and post-production using Pro Tools, Adobe Premiere Pro, Adobe Media Encoder, and Reaper. Assists with the creation of graphics using Ross XPression and Adobe Photoshop.

Works recording, editing, and producing podcasts through a variety of methods for the school of Communications, both in-person and online. In partnership with the newscasting class, a two-hour course where the students write and deliver a newscast in during the class period, all technical assistance, recording, and clips are the engineer’s responsibility. Additional tasks include maintenance of broadcast studio, and digital distribution.

Broadcasted NCAA Division I America East Conference Basketball, Soccer, and Lacrosse games to ESPN3, Directed and engineered all audio involved in broadcasts.

In charge of all audio needs pertaining to Sunday services. Responsibilities rotate week to week and include stream audio, in-house sound, post-service mixing and mastering, and board master control. Previously re-routed and re-worked the full system to accommodate for system and environment changes, as well as simplify and clarify routing.

In charge of the audio team for Redtail Records. Responsibilities include coordinating studio time between the artists and engineers, ensuring the quality of productions done, as well as coordinating events with venues both internally with the University, and externally. Notable work includes the freshman release of Cassie’s Crutch’s self-titled album.

An active participant in a community non-profit concert band, a member of the French Horn section and the rhythm section for the jazz group. Works as a livestream and social media manager developing a concert content library and establishing an online presence in the local community.

Residency playing in a jazz trio on the Virginia Beach Oceanfront during the summer four-hour sets. Works on the audio staff as well, running live sound for various genres of acts. Planning for an upcoming concert series as a big band director.