In 2022, I came onboard at Goodbye Pictures. At that time, the company in the middle of editing and delivering series to both Netflix and Bravo simultaneously. We were also transitioning from in-house finishing of network episodic assets to fully outsourcing to 3rd party finishing vendors. This situation necessitated that I quickly establish relationships with both network and vendor principles in order to get up to speed and keep our ongoing asset delivers on schedule. I was tasked with coordinating and overseeing editing, sound design, color correction, graphics and closed caption teams. Working closely with the Executive Producer, Senior Producers and other members of the production team, I ensured that the final product met the technical requirements and creative vision of the network executives at Netflix and Bravo.I also manage post-production schedules and payrolls, hired and manage post-production personnel, and coordinates with other departments to ensure that all necessary elements are delivered on time. I am responsible for managing the schedules of multi-format deliverables for the project. I am also in charge of overseeing the final assets delivery of the project to the network.● Management and coordination of In-house edit teams and external 3rd party finishing vendors● Administration and management of networked Avid, Davinci Resolve and Nexis environment ● Collaboration with Netflix and Bravo weekly to ensure episodic delivery schedule Integrity● Work in conjunction with the Line Producer to negotiate favorable pricing from finishing vendors● Coordinating, scheduling and running Color and Audio Finishing approval sessions with post vendors● Negotiated finishing services and pricing on per-episode basis packages with various vendors● Maintain multiple edit bays and troubleshoot problems to keep In-house and remote editors on schedule● Coordinated Internal and vendor personnel in the delivery of Network specified multi-format assets

In 2019, STRIVR’s Post workload surged and I was promoted to Post Operations Manager. I designed and setup post workflows and processes that gave us the ability to bring in various external 3rd party content creation partners, both domestic and international. I managed a twofold increase of staff Editors, VFX artists and contractors in order to meet the increased production and content creation schedule. To further increase the Post department’s ability to deal with increased workloads, I researched purchased and setup an internal Render Farm that cut the render times by 50+ percent. I also designed and implemented WFH (work from home) processes and protocols to provide the option for staff to be able to continue work if needed after hours.In the wake of the 2020 Covid-19 pandemic, STRIVR was forced to move its entire workforce to WFH. Due to my previous work in setting up WFH for Post, we were able to meet that challenge within 24 hours of getting the announcement. I further refined our WFH processes by setting up a system of VPN access, SOC2 data protection protocols for client assets, a system of couriers to move hardware and production assets to and from Post personnel’s homes and a system for WFH projects and exports to be synced with both the central Post Server and the Cloud Archive backup to ensure multiple redundancies in the event of a data loss event. ● Responsible for the End to End management of Post Production department assets and budgets● Establishing and maintaining clear channels on communication between production stakeholders● Designing, planning and implementing various Post-Production workflows to maximize efficiency ● Research and analysis of trending Post-Production related techniques and tools that improve workflows● Designing and administration of large Post-Production servers in coordination with the I.T. department● Administering and maintaining Post-Production department equipment and software budgets

As the very first Post Supervisor at STRIVR, I was tasked with building a Post department from the ground up. That work entailed, but not limited to, the setting up and provisioning of a centralized Post server. Researching, purchasing and setting up multiple workstations. Networking of the post server to various departments involved in content related production. Creating, implementing and optimizing post workflows that enabled a small team to work efficiently. Integrated Frame IO into the content production workflow and administered the internal and external user base. Evaluated, purchased and configured various Post related software. Created an internal project tracker to help facilitate coordination between Production and Post Production departments. Recruited, interviewed, hired and managed both staff and contractor personnel. The Post workflows and processes I have initiated at STRIVR come from the best practices that I have experienced over my career in Post Production. And they were all consolidated and configured under one of my Guide Stone principles. Streamline The Process.● Management of a Post-Production team of Editors and Visual Effects Artists● Establishing and maintaining a database and relationships with Freelancers and third party vendors● Consulting with and advising all internal stakeholders to keep multiple projects on-time and on budget● Scheduling of Staff, Freelancers and Third Party Vendors for multiple Post projects● Post department resource budgeting, cost estimating and cost tracking● Researching and purchasing of post production related hardware and software● Developing and optimizing streamlined post workflows to increase workload efficiency

As the Lead Editor at NextVR. I lead a team of Editors in the conception and creative editing, finishing and coloring of trailers, promos, and documentaries. All of the work is done in stereoscopic 3D VR for clients that include HBO, Fox, NBA, NFL, LiveNation, MasterCard, American Express and others. NextVR was acquired by Apple to further their venture into the world of VR/AR technology.● Technical evaluation and creative editing of 3D stereoscopic footage for Live, VOD and Promo content● Creative Brainstorming to create ideas that best utilize and exhibits the full potential of 3D Virtual Reality● Consulting with Producers and Directors on creative and technical aspects of their particular projects● Concepts and creates stories from non-scripted footage materials for VOD documentary programming● Camera matching, color evaluation and correction, creative color grading of 3D stereoscopic footage● Extensive music and sound effects evaluation, selection and editing for VOD sound design

During my time as the very 1st Producer Editor with Amazon Games, I was tasked with producing marketing content for their premiere gaming products, “Breakaway” and “New World”. My work at AGS made use of a myriad of my talents and skills from concepting and copy writing to directing shoots, game captures and audio session to editing, sound design and finishing.● Extensive creative editing of Cinematic Trailers Promos, Social Media content and long form documentary projects● Concept creation and script writing of various video projects for use both as marketing and as in-game content● Consultation, design and implementation of Post Production hardware, software and workflow procedures● Directed game capture, live action video and voice over sessions and talents to meet production requirements● Extensive sound effects and music evaluation, design and editing for use in final audio mix sessions● Working in conjunction with Senior and Executive producers, ensured on-schedule deliveries● Consulted with AGS Director of Marketing on departmental equipment and software needs

● Footage evaluation, color correction and grading and final finishing● Consults internal clients on creative and technical aspects of projects● Works with Producers and Post Supervisors to expedite the finishing process● Evaluates and advises audio mixing and graphics personnel on problems discovered● Extensive color finishing, audio, graphics and video effects problem solving

● After Effects, Photoshop and Cinema 4D graphics design and production● Reviewed and evaluated footage for both visual and story content● Color corrected and color graded footage to create different looks● Creative editing of video and sound bite elements● Music and sound effects editing and mixing

● Creative editing of both video and animation renders using Avid Symphony and Adobe Premiere● Analysis and interpretation of production storyboards used in the VFX pipeline and render process● Rough cut editing and shot numbering of storyboards for use in the production of rendered scenes● Captured game footage using proprietary and third party software● Consults and advises audio sweetening and graphics personnel on problems encountered● Working in conjunction with Senior and Executive producers, ensured on-schedule deliveries● Extensive sound evaluation, design and editing for use in final audio mix sessions

● Extensive Avid editing, color correction and grading of Network promos and sizzle programming● Worked with producers In the evaluation, editing and writing of Promo voice-over copy● Extensive music evaluation, auditioning and editing to compliment promo copy and visuals● Evaluated and consulted with the Senior Graphics Producer to ensure the highest quality graphics● Creative sequence sound design and editing for use in Pro Tools audio finishing

● Extensive footage evaluation and selection for use in GSN related programming and content● Creative editing using Final Cut Pro of GSN On-Air promo and Web related pieces.● Consulted and worked with Writers and Producers to tailor copy to creative changes● Worked with Graphics and Audio departments to evaluate and solve various problems● Collaborated with other editors on staff to ensure the highest quality promo content

● Creative editing of both documentary video footage and live game day television feeds● Worked with producers to ensure the meeting of tight live broadcast deadlines● Color evaluation, color correction and grading of video footage● Music selection, soundtrack and dialogue editing and mixing● Dialogue sound bite evaluation, editing and manipulation

● Creative editing, color correction and grading and final finishing● Consulting with clients directly on creative and technical aspects of their particular projects● Works with other senior producers to guide new clients through the finishing process● Consults and advises audio sweetening and graphics personnel on problems encountered● Researching and consulting on the latest software and finishing techniques● Extensive finishing, graphics and format conversion problem solving