Hung Nguyen Email & Phone Number

Novato, CA

Unannounced Title, Bioshock Franchise (announced), Unannounced Engine · Worked closely with directors, concept artists, level designers and narrative teams amongst others to stand up framework and scope of the game. Entrusted to help develop and define new spaces, areas, and environments of game layout. · Built levels and assets as needed to develop.

Novato, CA

• In this role I was charged with creating the Bayou section of Mafia 3 and later the Island for our 2nd DLC pack, Stones Unturned. Duties included building terrain, maintaining water meshes, placing and maintaining.
• Responsible for creating the Bayou Fantom district of the game and crafting an authentic experience, working alongside Designers and Mission Artists to further develop critical path gameplay spaces and narrative.
• Worked intimately with Level Designers, World Builders and Art Leads to ensure quality and direction of terrain meshes and city spaces—to include level building, set dressing, and building out open world and mission.
• Additional duties included optimization tasks, establishing and maintaining road networks along with Level Designers, propagating and building cover and navigational data and fixing bugs for the Bayou Fantom and.
• Worked closely alongside Level Designers and team to establish and set foundation for Stones Unturned DLC mission areas within the city as well as building the Island game space and critical path, including creating.

Greater Boston Area

• In this position I am a modeler working on Bioshock Infinite's DLC: Burial at Sea and Burial at Sea Episode 2
• Modeled and textured various game objects along with uniquely crafted terrain meshes for different levels, working to maintain the style and aesthetic of the art direction.
• Worked intimately with Level Builders and Leads to ensure quality and direction of both assets and terrain meshes and their purpose and presence within the spaces, responding quickly to changes in level or feedback.
• Fixed and proactively hunted bugs in terrain meshes and meshes within the level.

Sugarland, TX

• My role was Environment Artist 1 propping and lighting levels for Aliens: Colonial Marines
• Populated, lit and optimized scenes and levels
• Responsibilities included modeling new or modifying existing pieces and reviewing and modifying outsourced assets.
• Communicated closely with Level Designers to maintain level flow and cover/combat pacing as well as establishing horror mood via lighting and set dressing.
• Further duties included using GPAD for level optimization and performance for PS3 as well as animation and modeling support for animators. http://auscm.tumblr.com/ https://www.youtube.com/watch?v=F0oqONEdlzU The.

Quincy, MA

• Worked on Bioshock Infinite's terrain team (While under contract with TimeGate Studios)
• Created and maintained roads and surfaces with regard for player and AI character movement.
• Worked closely with Level Builders and Leads to ensure quality and direction of terrain pieces and their interaction within the level and worked intimately with my own team members.
• Scheduled, assigned and reviewed terrain team's pieces to ensure quality and performance within game.
• Fixed and proactively hunted bugs in terrain meshes and within level implementation

Austin, Texas Area

• Worked on Star Wars: The Old Republic
• Propping and lighting for interior spaces with respect to combat and player interaction
• Remodeled, adjusted UVs and reassigned textures for assets
• Terrain polish on different worlds, adapting to character and process of each environment
• Worked and communicated with small and large teams from various disciplines
• Optimization tasks, establishing new cube maps, and bug fixesScreencaps available at http://hungpn.tumblr.com/

Education record

Bfa, Studio Art With Focus On Painting