My involvement in professional animation services began in 1999. My first Art Director position in Hollywood, Florida introduced me to the challenges of managing other creative individuals. During this time, Reallusion developed iClone and this changed the world of 3D real-time animation production. I became the 1st certified trainer in the United States to teach iClone in 2005 and would come to use these and other solutions to provide the world's largest corporate talent assessment firm, located in Alpharetta, Georgia, (CEB) Corporate Executive Board, my services as Lead Animator and produced over 200 hours of animation for entities such as the OPM (Office of Personnel Management, US Government.) I was the character animator for Georgia produced "Survivors Remorse" for STARZ network, and worked closely with Jon Stewart for HBO. I was honored to be the Motion Capture Lead and Previz Artist on"Replicas" from Lotus Entertainment, starring Keanu Reeves and Thomas Middleditch, distributed by Entertainment Studios. In the summer of 2019, my team was on Suicide Squad 2 creating virtual production and previz for James Gunn under the 2nd Unit Director, Guy Norris, where we broke the current world record for most XSens Link suits captured at once, LIVE on stage at Pinewood Studios famous Stage 17. In 2021, as Co-Founder of Actor Capture - I joined forces with Sony Pictures and VFX Producer Kerry Joseph (John Wick 3/Ghostbusters Afterlife), and VFX Supervisor Joe Bauer (Game of Thrones/ Mandalorian) to aid in the creation of Lyle, a 6ft 1in singing, dancing, crocodile opposite Javier Bardem in Lyle, Lyle, Crocodile. In theaters Fall 2022. I am now representing Georgia State University and the Creative Media Industries Institute (CMII) training students in emerging technologies and virtual production techniques, utilizing real-time animation tools, with Opti-Track optical capture systems, XSens, and Rokoko inertia-based motion capture suits / Motive, MVN Studio. In April of 2018, I became a virtual cinematographer using 4DViews Volumetric motion capture systems and the HoloSys pipeline to create "next-media" content generation and to enable the next-gen workforce with the tools they will need to be effective in the field, while integrating the Reallusion eco-system of tools with Unity, Unreal, Oculus, and Meta. This development has combined all my technical application and art direction efforts to engage a new approach to content creation, virtual production and media evolution.