Editing is more than just technical, it’s feel, which is something that has to be learnt over time. With my varied and broad experience of my 15+ years as a professional video editor I can help you bring your project to life.I’ve worked with a range of clients and projects and have experience with a wide range of skills and software ranging from a variety of NLEs, animation and effects software, grading software and music production.In addition to editing I also work as a director and creative. I bring my varied skills to I not only want you to be happy with your end video I also want to over-deliver and help your video to go further.

A short documentary about Silvi Vargas, a Colombian BMX racer, showcasing her journey as an Olympic hopeful, the challenges she has faced competing in a male-dominated sport, and the legacy she's trying to lead to other women in the sport.Credits:Director - LTHL WPN.Race DP - Greg MichaelEditor - JCutGrading - Chiara CoperchiniSound Design - Obodo SoundMusic - ChoppersaurusKey Cast - Silvi Vargas, Alan Hay

Shot over 5 years of following the artist, Sensoria was an attempt to embody the sensory nature of Tasha's practice; By using a mixed media approach and ASMR elements I wanted to re-create the intimacy & emotional response her work provokes. Following her for half a decade gave the film a journal-esque feel. Similarly the patchwork, sensory overload edit style was meant to over-stimulate the viewer.Directed by LTHL WPN.Edited by J CutSound by Focal Sound & Rhythm

Whilst working at Unscriptd I directed and edited a range of social media and advertising campaigns with high-profile athletes in the European market for brands such as EE and Right Guard. Our most recent campaign with Right Guard had us working with a range of top footballers (including Jamie Vardy, Jesse Lingard and Kyle Walker) by putting them on a lie detector and asking questions designed to make them sweat. We had a great deal of success with this campaign, winning awards at both Media Week and the ESA Awards. It was great being part of a dynamic and dedicated team and getting the chance to work together to come up with innovative creative solutions and pieces of content with our athletes that stand out from the crowd.

Working at ASOS I had the opportunity to direct and edit (and occasionally shoot) a number of exciting projects including look book videos in Tenerife, a travel documentary in India with Thompson/TUI travel and the ASOS Supports Talent projects where ASOS helped young talented creators and makers achieve a dream goal. As well as this I had the opportunity to experiment with Facebook live, pitching and developing ideas ranging from a crowd-fuelled attempt to put on as many items of ASOS clothing during the time of the broadcast, to a Goldfish controlled gameshow and even an interactive video Gameshow with prizes for successful audience members.ASOS was a fantastic place to work and a wonderful hub full of creative people that allowed me to develop and experiment in a safe and responsive environment. Although I loved my time at ASOS, the opportunities and personal development presented by going to work for Unscriptd seemed too good to pass up

In August 2014 I moved from freelance work to Director/Editor at Poke London. With their long-standing reputation for award-winning, high quality work it was a natural move. Whilst working there I worked on high-profile campaigns for EE, Ted Baker, Youtube, HereEast and more.The broad range of projects allowed me to develop skills in directing, shooting, editing, After Effects and Cinema 4D.

Wanting a fresh challenge I went freelance and co-founded production company Goshdamn with some collaborators; specialising primarily in music videos we variously produced videos for the likes of Attaque, SWIM, Hoodlums, Dead Ceremony, Almanacs as well as some commercials, live videos, interviews and promos. During this time I largely handled pursuing work and opportunities, as well developing creative and organising production for the bulk of our shoots and, for the most part, editing the videos.

In my year working regularly with JAM Flicks I worked with clients like Adidas Stella Mcartney, Clarks, Esquire Magazine, TK Maxx, Fenwicks, BAFTA and more. Ranging from organising production for shoots (fashion and short film) to post-production on projects; variously editing, grading and after effects work. I've also been part of the re-structuring and rebranding of the company, building the brand to offer more services and grow their reputation within the industry.

I worked for Rob Harris Productions for over a year, primarily on corporate and business promotional videos and internal communications. My manager acted as the initial communication for clients but I was always in the initial meetings with clients and once projects began I became the primary point of contact for executing the project satisfactorily. I worked closely with them to get the best possible product and my editing, colour correction and After Effects skills improved through this process of attempting to enhance the project. I was heavily involved in the production for shoots and also organising the time of my assistant on large projects or secondary projects whilst I was involved with bigger jobs. Alongside my manager, I was shooting alot of the jobs myself, primarily on DSLR and Sony FS-100. I handled almost all of the post-production work up until final delivery. We created some promos for companies and venues, provided demonstrative videos for health and industry and selling tools for corporate and industrial companies.I stayed for a year and a half before going freelance to explore working on more varied and creative work.

I worked for nearly 2 years at Double Negative as an assistant Visual FX Editor working on various films and receiving credits for VFX Editorial work on Paul (2010) and Captain America: The Last Avenger (2011).