John Hazelton Email & Phone Number

Responsible for setting up and running all internal screenings. This includes dailies, work-in-progress cuts, previews, promotional and press, and reference screenings for all projects produced by the studio. 35mm and Digital Cinema, as well as a variety of computer and video sources are used as well.It's a high-pressure environment--everything has to be perfect, and it has to be now, but it's very satisfying to accomplish what needs to be done. It's been fascinating to observe the creation and development of Nemo, The Incredibles, Lighting McQueen, and the rest.

Did a wide variety of things, from running films for students and events in 16mm, 35mm, and 70mm, and various video formats, to training staff, to overseeing the department's weekly film series. Organized, cataloged, and maintained two of the school's film collections.I ran films that were over a hundred years old, and also movies that had not yet been released. Met some amazing legends while presenting retrospectives and festivals, and many legends-to-be as students.

On-call projectionist. Ran employee screenings, as well as special screenings for television show hosts and acquisitions executives, in both composite and interlocked prints.

On-call projection, running material for outside clients (dailies, cuts, sales screenings) as well as internal effects work.

Part-time story analyst, reading and evaluating screenplays, novels, and other works, either as writing samples or to recommend for production.

Independent feature "Hollywood Chaos." Synced dailies, kept track of film footage, the usual.