Jon Bryant Email & Phone Number

Emeryville, California, United States

• As the Edit Manager on "Inside Out 2", I lead and mentor a team of 15 direct reports. I guide the edit team through Pixar's iterative "reels process". I organize regular screenings at pivotal milestones in the film's production cycle. These screenings provide opportunities for Pixar and Disney Executives to assess creative progress, offer input, and develop budgeting strategies. With each film iteration, the film undergoes repetitive refinement, steadily improving in quality and storytelling finesse.• I skillfully manage upward by leading weekly whiteboard planning meetings with key stakeholders, including the director, producer, EVPs, and Chief Creative Officer, ensuring alignment on production priorities. I provide comprehensive overviews on project statuses, fostering accountability and proactively enabling adjustments to meet evolving creative needs.• Diligently manage labor budgets for the film's edit department, optimizing resource allocation to maximize efficiency while upholding financial integrity and cost savings.• Successfully managed a team of 12 layout artists on "Turning Red," fostering collaboration and empowering artists to explore cinematic boundaries while adhering to efficient production timelines. Developed optimal schedules to accommodate artistic innovation while maintaining budgetary goals, resulting in a timely delivery and critical acclaim for the film's visual aesthetic.• On Turning Red, I led pre-production animation efforts, overseeing a team to craft proof-of-concept animations that defined character personalities and contributed to the film's creative vision. Collaborated closely with departmental teams to ensure seamless integration of animators and character rig artists, facilitating efficient model testing and development workflows.• Conducted comprehensive candidate interviews to identify top talent for production coordinator roles.Projects:Inside Out 2 (2024) - Edit ManagerTurning Red (2022) - Layout Manager

Emeryville, Ca

• Led the internal animation fix team for Incredibles 2, directing efforts to identify and resolve broken animation issues across sequences. I utilized adept triage skills to facilitate swift and efficient task delegation, ensuring prompt response to change requests. This level of detail ensured the animation was polished to perfection.• Managed a team of 10 animators and technical artists in the crowds department for Toy Story 4, breathing life into vibrant background crowds and infusing the film with energy and authenticity. Advocated for diversity and inclusion, inspiring the team to create crowd scenes that authentically reflected diverse representations of genders, ethnicities, body types, and varied abilities.• Managed the lighting finishing process for Cars 3, conducting comprehensive quality checks on every shot to ensure alignment with the film's artistic vision and quality standards. If any discrepancies were identified, I would authorize a change request. My team consistently exceeded weekly quotas under my leadership.• Initiated a passion project aimed at enhancing the note-taking process at Pixar. Collaborated closely with in-house developers to enhance a note taking tool to integrate captured notes with the production database, improving efficiency and workflow. The app received positive feedback from coordinators at the studio, who found the enhancements invaluable in their day-to-day work.• Established a previz review pipeline using VR technology for Finding Dory, enabling immersive exploration of CG locations by the director. This integration of technology enhanced the film's visual appeal and fostered creative collaboration among the director, camera, and set dressing teams.Projects:Turning Red (2022) — Edit DepartmentOnward (2020) — Edit DepartmentToy Story 4 (2019) — Crowds & Simulation DepartmentIncredibles 2 (2018) — Animation DepartmentCars 3 (2017) — Lighting DepartmentFinding Dory (2016) — Layout Department, Effects Department

Emeryville

• As a PA on Inside Out, I crafted slide deck presentations for the director and producer, showcasing captivating concept art and in-progress film clips. Collaborating closely with the director, I ensured meticulous organization within the presentation to convey a compelling story. When presented to Disney executives, the slide deck generated significant anticipation for the film.• I bolstered the Sets department on Inside Out by assisting with asset management, organizing digital files, maintaining the digital library of props and backgrounds, and providing administrative support to the team.Inside Out (2015) — Sets Production AssistantInside Out (2015) — Production Office Assistant

Burbank, Ca

• Collaborated closely with segment producers to produce visually captivating graphics for on-air promotion interstitials on Disney Channel, amplifying brand visibility and fostering deeper audience engagement.• Maintained strategic partnerships with vendors based in Los Angeles, leveraging their expertise to develop versatile design packages tailored specifically for broadcast.

Burbank, Ca

• Contributed to the communications team by producing and editing compelling in-house videos at Disney Corporate, effectively conveying the vision and strategic direction set forth by senior executive leadership.

• Provided professional video editing services, and motion graphic design, for corporate and non-profit clients, producing engaging and impactful content tailored to their specific needs and objectives.

Sacramento, Ca

• Crafted dynamic, animated motion graphics for large on-stage LED video displays and projection screens for the 2000+ seat venue. These visual elements enhanced the atmosphere during concerts and gatherings, immersing attendees in an unforgettable visual experience.• Partnered with the lead lighting designer to conceptualize and construct dynamic theatrical stage designs, seamlessly integrating video elements to amplify thematic concepts and elevate visual storytelling.• Directed image magnification (IMAG) operations during live events with a small camera crew, ensuring clear and captivating visuals for all audience members, including those seated at the back of the venue.• Served as a principal graphic designer, conceptualizing and creating visually compelling assets for digital and print media to support the organizations communication needs.• Designed and launched a new website in the mid-2000s, propelling the organization into the digital age. Assisted the organization in becoming an early adopter of social media, fostering meaningful engagement with members. These initiatives significantly expanded the organization's online presence, attracting new members and nurturing community growth.• Mentored and cultivated a team of volunteers, providing guidance, support, and growth opportunities to foster a positive and thriving community of contributors.

Screenwriting

Bachelor Of Arts (B.A.), Cinema And Television Arts

Activities and Societies: Film Production

General Education

Activities and Societies: German Club