Jon Bryant Email & Phone Number

Emeryville, California, United States

• As the Edit Manager on "Inside Out 2", I lead and mentor a team of 15 direct reports. I guide the edit team through Pixar's iterative "reels process". I organize regular screenings at pivotal milestones in the film's.
• I skillfully manage upward by leading weekly whiteboard planning meetings with key stakeholders, including the director, producer, EVPs, and Chief Creative Officer, ensuring alignment on production priorities. I.
• Diligently manage labor budgets for the film's edit department, optimizing resource allocation to maximize efficiency while upholding financial integrity and cost savings.
• Successfully managed a team of 12 layout artists on "Turning Red," fostering collaboration and empowering artists to explore cinematic boundaries while adhering to efficient production timelines. Developed optimal.
• On Turning Red, I led pre-production animation efforts, overseeing a team to craft proof-of-concept animations that defined character personalities and contributed to the film's creative vision. Collaborated closely.
• Conducted comprehensive candidate interviews to identify top talent for production coordinator roles.Projects:Inside Out 2 (2024) - Edit ManagerTurning Red (2022) - Layout Manager

Emeryville, CA

• Led the internal animation fix team for Incredibles 2, directing efforts to identify and resolve broken animation issues across sequences. I utilized adept triage skills to facilitate swift and efficient task.
• Managed a team of 10 animators and technical artists in the crowds department for Toy Story 4, breathing life into vibrant background crowds and infusing the film with energy and authenticity. Advocated for diversity.
• Managed the lighting finishing process for Cars 3, conducting comprehensive quality checks on every shot to ensure alignment with the film's artistic vision and quality standards. If any discrepancies were identified.
• Initiated a passion project aimed at enhancing the note-taking process at Pixar. Collaborated closely with in-house developers to enhance a note taking tool to integrate captured notes with the production database.
• Established a previz review pipeline using VR technology for Finding Dory, enabling immersive exploration of CG locations by the director. This integration of technology enhanced the film's visual appeal and fostered.

Emeryville

• As a PA on Inside Out, I crafted slide deck presentations for the director and producer, showcasing captivating concept art and in-progress film clips. Collaborating closely with the director, I ensured meticulous.
• I bolstered the Sets department on Inside Out by assisting with asset management, organizing digital files, maintaining the digital library of props and backgrounds, and providing administrative support to the.

Burbank, CA

• Collaborated closely with segment producers to produce visually captivating graphics for on-air promotion interstitials on Disney Channel, amplifying brand visibility and fostering deeper audience engagement.
• Maintained strategic partnerships with vendors based in Los Angeles, leveraging their expertise to develop versatile design packages tailored specifically for broadcast.

Burbank, CA

• Contributed to the communications team by producing and editing compelling in-house videos at Disney Corporate, effectively conveying the vision and strategic direction set forth by senior executive leadership.

• Provided professional video editing services, and motion graphic design, for corporate and non-profit clients, producing engaging and impactful content tailored to their specific needs and objectives.

Sacramento, CA

• Crafted dynamic, animated motion graphics for large on-stage LED video displays and projection screens for the 2000+ seat venue. These visual elements enhanced the atmosphere during concerts and gatherings, immersing.
• Partnered with the lead lighting designer to conceptualize and construct dynamic theatrical stage designs, seamlessly integrating video elements to amplify thematic concepts and elevate visual storytelling.
• Directed image magnification (IMAG) operations during live events with a small camera crew, ensuring clear and captivating visuals for all audience members, including those seated at the back of the venue.
• Served as a principal graphic designer, conceptualizing and creating visually compelling assets for digital and print media to support the organizations communication needs.
• Designed and launched a new website in the mid-2000s, propelling the organization into the digital age. Assisted the organization in becoming an early adopter of social media, fostering meaningful engagement with.
• Mentored and cultivated a team of volunteers, providing guidance, support, and growth opportunities to foster a positive and thriving community of contributors.

Screenwriting

Bachelor Of Arts (B.A.), Cinema And Television Arts

Activities and Societies: Film Production

General Education

Activities and Societies: German Club