Episode’s #1 revenue producer and leading expert in Story with a consistent track record for concepting, producing and editing Episode’s top hits.The projects I led were responsible for every new performance ceiling on Episode since 2019 (moved the ceiling 6x), with the 2023 ceiling 5x higher than 4 years prior. The most recent releases I produced – "Don’t Hate the Player," "The Soulmate Game" and "The Prince's Bride" – became the app's highest-performing stories of all time and achieved more than 3x Episode’s average story performance; and each author saw between 270%-350% improvement in story performance in working with me.
At 4, I was also the only member of the Episode team to have produced more than one Onboarding Story (the #1 story on Episode and first story that new players are served upon downloading the app).

Drove 9 of 10 stories to rank in Episode’s top 3 and one to replace the Onboarding Story with "Operation: Quarterback" by sourcing and editing UGC stories for Episode Featured rerelease.Creator/writer/director of Episode original "College-ish," which rose to #1 in the weeks following its release.

Writer/director on IP "Demi Lovato: Path To Fame," which earned over 200 million reads from 20 million unique readers and $13 million in revenue in its first year alone.Writer/director/creator of IP "Cameron Dallas: Started with a Lie," which became the 2018 Onboarding Story (#1 on Episode). Episode hit an all-time peak of 7th in the US iPhone grossing charts and 3rd on the UK iPhone grossing charts in the week following its release.

Assistant to Corey Mandell, an award-winning playwright and screenwriter who has written projects for Ridley Scott, Wolfgang Petersen, Harrison Ford, Meg Ryan, Julia Roberts, John Travolta, Warner Brothers, Universal, 20th Century Fox, Fox 2000, Fox Family, Working Title, Paramount, Live Planet, Beacon Films, Touchstone, Trilogy, Radiant, Kopelson Entertainment and Walt Disney Pictures.

Of over 10,000 contributing writers, was made one of the 30 featured writers 1 month after beginning to submit pieces. Articles reached an international audience and garnered between 15,000 and 1 million reads.