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Transforming voice performance in games, one word at a time. I spend time as a data, systems, software, bone gnawing researcher that works as a casting and performance director for games. I'm into creativity, love, connection and kindness,OMUK is three things: a recording studio and experimental R&D lab at the pioneering sharp end of producing performance content for games. And a space dedicated to caring for the beating heart of humanity. Our games work supports the humanity work.Creative Dialogue Tools (CDT) is a software toolset that transforms and liberates the #gamedev dialogue pipeline. CDT connects the creative and technical dots between script, actor and game, from early pre production through recording to integration.Since 1996, the data from from OMUKs extensive body of work has fed my research into the process and neuroscience of game performance capture and audience engagement. Digging deep into the psychology of the immersive relationship between script, performer and audience engagement has been a life transforming journey as it opened me up to the heart of who we are and how we relate to ourselves and each other as human beings.
Creative Dialogue Tools
View- Website:
- facebook.com/DialogueTools
- Employees:
- 1
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Owner And DesignerCreative Dialogue ToolsLondon, Gb
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Owner & DesignerCreative Dialogue Tools Oct 2011 - PresentLondon, London, GbCreative Dialogue Tools (CDT) are time saving, stress reducing, quality improving middleware for video game voice content creators. The battle tested tools ease and empower every element of the voice production process: script writing, planning and costing, asset management, casting, voice recording, dialogue editing, mastering, Integration, QA and Localisation.
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Managing DirectorOmuk Aug 1996 - PresentLondon, London, GbI founded OMUK in 1996 with a twin vision: 1. To cast and record voice content for video games that rivalled the best performances in other media. 2. To be a 'no holds barred' R&D lab to create production methods that truly match the needs of video games as opposed to blindly square-pegging games into studio design and practices first developed in the 1920s that serve the simplicity of radio, TV and film, but not the complexity of video games.The current OMUK studios in London are the results of 25 years of challenging everything. Data from 1,000 games have changed everything we do. The outcomes speaks for themselves. -
PresidentVault 501 Mar 2016 - Jul 2020The Vault is unique recording space designed and built ground up with the sole goal of 'liberating performers and performance for games.' The space, the tech, the thinking, the methods free game developers to realise their dreams.
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Studio OwnerAxis Recording Studios Jan 2003 - Sep 2010GbRecording voice ensemble with physical performance is a passion. Having large controllable acoustic space for voice performance enables action to add nuance to performance that is frequently missed in games work. The studio made its mark with music production. Thanks to all who recorded there; for having in their music the sound of Kevin Bacon's great room: The Levellers, Jarvis Cocker, Fun Loving Criminals, Simply Red, The Lighthouse Family, The Longpigs, The Pretenders, Ian Brown, Neil Finn, Richard Hawley, Slow Club, Lulu, Take That, Pulp, Finley Quaye, Embrace, Dannii Minogue... the list goes on... but more than anything thanks to a great crew that dedicated so much to something very special: Mike Timm, Kit Challis and Glover. -
Studio And Location SoundYorkshire Television Limited 1996 - 1999From the League of Gentlemen to Emmerdale and everything in between. -
Mutimedia Development ManagerSdl International 1995 - 1996Maidenhead, Berkshire, GbResponsible for establishing the recording studios, building the audio team and developing production systems. Also responsible for development of the media side of the business. -
Recording Studio Manager And EngineerPolylang 1994 - 1996Recording studio manager, coordinating foreign studios, building internal team, systems and managing all aspects of game localisation voice requirements for clients.
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Crew Boss And Live EngineerConcert Systems Jan 1980 - May 1986Managed audio and lighting crews, system hire and design mixed FOH sound. Worked with: Nick Cave and the Bad Seeds, The Damned, The Box, The Fall, Blancmange, Bad Manners, Modern English, Billy Bragg, Psychic TV, Kate and Anna McGarrigle, Pulp, The Exploited, Cabaret Voltaire, In the Nursery, The Pretenders, Aswad, Bauhaus, Pete Shelley, The Fall, Clock DVA, Misty in Roots, The Dead Kennedeys, Jah Warrior & others
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Recording EngineerVibrasound 1982 - 1984music production/recording with Hula, The Box, Pulp, Workforce, Rubella Ballet, UV Pop, In The Nursery and many others.
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ActorSelf Employed 1977 - 1982Writing and performing but inextricably drawn towards the power of sound in influencing an audience's experience of performance.
Mark Estdale Skills
Mark Estdale Education Details
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Sheffield Hallam UniversityBusiness Management -
Worksop College
Frequently Asked Questions about Mark Estdale
What company does Mark Estdale work for?
Mark Estdale works for Creative Dialogue Tools
What is Mark Estdale's role at the current company?
Mark Estdale's current role is Owner and Designer.
What is Mark Estdale's email address?
Mark Estdale's email address is ma****@****muk.com
What is Mark Estdale's direct phone number?
Mark Estdale's direct phone number is +131089*****
What schools did Mark Estdale attend?
Mark Estdale attended Sheffield Hallam University, Worksop College.
What skills is Mark Estdale known for?
Mark Estdale has skills like Video Games, Sound Design, Sound, Film, Computer Games, Post Production, Audio Engineering, Game Development, Recording, Voice Acting, Studio Recording, Game Design.
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