In 2010 DLKW merged with Lowe. Whilst I was the lead Flame/Smoke op, I was also responsible for the merger of the two post production facilities. Treacle expanded into a facility with three FCP/AE Suites and two broadcast suites. With the merger of Lowe, Treacle began working with the Unilever client, on brands such as Domestos, Knorr and CIF, providing hi-quailty broadcast commercials for the worldwide market as well as continuing our relationship with Morrisons, Merlin Entertainment and WHSmith.

Joined DLKW to setup an in-house post production facility called Treacle. During the six years I built a facility consisting of two FCP Suites and a Smoke/Flame broadcast suite that was used by the Creative and TV Department. The agency went onto win numerous new business pitches including Morrisons, AA, WHSmith and Opel which Treacle had a key involvement. With the addition of the Smoke/Flame suite I was able to take on the VFX for some of the agency clients, clock and playout directly from the suite.

With the merger of D’Arcy and Leo Burnett I continued in the post production facility working on Avid, FCP and After Effects with clients such as McDonalds, Daz and COI.

Started my career at DMB&B/D’Arcy where I began as an Offline Avid Editor, working with various clients such as Proctor & Gamble, Mars Confectionery and Fiat to name just a few, where I cut some very successful advertising campaigns as well as mood films and animatics for new business pitches.