• Artistic programming and planning • Curate compelling concerts for Concerts at One series as well as Trinity’s 12th Night and Time’s Arrow festivals• Cultivate collaborative relationships with a wide-range of artists and presenters, including composers for large-scale commissioning projects• Negotiate fees for guest artists and resident ensembles and maintain program budget• Generate and revise contracts in coordination with the office of General Counsel• Supervise hiring and act as resource for all artists and resident ensembles including The Choir of Trinity Wall Street, NOVUS NY, and Trinity Baroque Orchestra• Manage audience engagement programs including Facebook Live events, concert lectures, open rehearsal Q&As for adults and students, and album release events• Identify opportuntities to engage all communities, especially historically marginalized• Serve as the point person and resource for internal teams including: Communications and Marketing, Creative, and Media Productiono To expand Trinity’s global visibility, work closely with Communications to establish and implement marketing strategy and messaging, reflecting Trinity’s core values and missiono Oversee program creation, print and publicity materials, providing copy and advising Creative and Media departments on content captureo Manage publicity in coordination with 21C PR firm and Communications, with frequent positive articles and reviews by The New York Times, The New Yorker, The Wall Street Journal, The Washington Post and others o Advise producers and assistant directors as needed for webcasts, media, and recording projects, including the overall management of 14 album releaseso Alongside Communications, devise and carry out social media strategy to raise the artistic profile of Trinity music • In coordination with Trinity’s Justice and Reconciliation team, identify programming deficits in lower Manhattan to give high-need students opportunities to discover their musical potential

• Managed all artistic operations of Trinity Music, averaging over 500 events (services, performances, tours, recordings, and outreach and education events) per year• Assisted in artistic programming and planning in coordination with the Director of Music• Supervised Production Manager, Program Coordinator, Music Librarian, and part-time administrators and interns• Validated master and logistical schedule for Trinity Music• Managed NOVUS NY: responsible for all hiring and curated several NOVUS programs• Developed and managed outreach partnershipso Identified under-resourced schools in Brooklyn and lower Manhattan and created accessible curricula (NYC core standards) to coincide with “At One” programso Managed collaboration with InterSchool Orchestra (Trinity Youth Orchestra)• Maintained program budget for recurring concert series and festivals• Coordinated technological report with Media team and artistic directed webcasts• Directed house management for Trinity Music events

When visiting a college or school as a clinician or guest artist, Dr. Baker presents masterclasses, clinics, and information sessions on a variety of topics. In addition to her critically acclaimed clinic “Thinking Forward to the Past,” Dr. Baker has been invited to teach classes on performance practice, business of music, and music appreciation at several universities and schools in the Northeast. As an Avanti Flute Performing Artist, Dr Baker has been a guest soloist and chamber musician for performances throughout New York, New Jersey, and Pennsylvania.

Director of a Music School for a not-for-profit organization. Responsibilities included but were not limited to: hiring and supervision of faculty and staff, design and implementation of curricula and student assessment, preparation and maintenance of Music School budget and payroll, supervision of scheduling of lessons and classes, marketing strategy initiation (which increased enrollment 300% in 2004), design and implementation of Music School policies and programming. Started a subsidiary rock school and vocal pop school that performed monthly at various venues throughout the community. Teaching responsibilities included all music history and theory classes, as well as private instruction in flute and piano.

Co-Founded a not-for-profit 501(C)(3) chamber ensemble dedicated to outreach and education that was deemed "The new faces of chamber music" by the NY Times. Executive Director duties included overseeing all operations, budgeting and management, implementing policy decisions of the Board of Directors and adherence to the mission of the Artemis Chamber Ensemble. Responsible for all concert programming. As grant manager and writer from 2004 to 2008 successfully funded all outreach projects via grants. Developed new projects and initiatives in consultation with local communities and government, education advisors, venue directors and regional arts councils.

Promoted Purchase students throughout the community in the fields of performance and education. Responsible for creating employment for current students as well as establishing relationships with local venues and schools in which students could perform and teach. Worked with several school districts in New York and Connecticut to establish concert series and private lessons as part of their band and orchestral curricula. Provided employment for 75 students who registered with the Outreach office. Created a database for and oversaw the referral service, helped students secure teaching jobs, establish private studios, organized outreach concerts and volunteering.