Michael Creason Email and Phone Number
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I bring to the table a grasp of the deadline management, consensus building, team-to-team translation, and tracking skills that are required to allow groups of people to work together to achieve goals under pressure. This comes from working in multiple facets of the audio and live sound markets including Manufacturing, Broadway, Corporate, Installation, Cinema, and Houses of Worship. Work ethic, attention to detail, my ears and a way with people have kept me employed in a very transitional business.
Coda Audio (Usa)
View- Website:
- codaaudio.com
- Employees:
- 19
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Technical DirectorCoda Audio (Usa) May 2017 - PresentRichmond, California, United StatesOversee technical operations of wholly-owned United States subsidiary of Coda Audio International. Manage technical relationships, training, and support with internal staff and business partners.Create unique opportunities for product demonstration experiences. Build market awareness of technical applications and support resources.Enhance the user experience focusing on workflow touchpoints.Build sonically and presentationally engaging listening experiences for critical listening product demonstrations focusing on superior content to support the top-level equipment. -
Sound Designer Or Composer/Sound DesignerRegional And Off-Broadway 1997 - PresentRegional and Off-Broadway (1997 – Present)Numerous productions as Sound Designer or Composer/Sound Designer for Regional and Off-Broadway. Venues include: NY Shakespeare Festival, Baltimore Centerstage, San Diego’s Old Globe, Glimmerglass Opera, Ford’s Theater D.C., Minneapolis Children’s, The Acting Company, Chicago’s Strawdog, NY Theater Workshop, NY Fringe, American Conservatory Theater, etc.Awards:Drama Desk Award nominated (Dogeaters).Two Chicago Jeff awards for Sound Design and Music Composition (Measure for Measure)
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Gameday Field A1San Francisco 49Ers Jun 2016 - Nov 2021Santa Clara, CaWireless Technician on field for Referees, Anthem Microphones, Drumline, IFB. Cover mix for FOH during breaks. During Covid mic'd and mixed pregame livestream with 49ers talent and guests. -
Product Manager – System Applications And TrainingMeyer Sound Sep 2014 - May 2017Collaborate with the Product Development teams throughout the development cycle to ensure understanding of market needs and technical evolution of products and system solution approaches as they relate to the total user experience. Participate in early product testing to assist in the development and documentation technical workflow procedures. Analyze and define product training needs, methods (including facilities and procedures), deliverables and timelines. Collaborate with the Education, Design Services, Technical Support, Sales and Marketing departments in the creation and implementation of training assets. Training assets include system design examples, guides, instructor-led sessions, virtual classroom experiences, videos, and self-paced e-learning within the product release schedules. Conduct product demos as time permits. Collaborate with the Sales, and Technical Support to identify specific customers,dealers, distributors and system specifiers in need of training and work to raisetheir understanding of Meyer Sound solutions and their advantages. Manage one-on-one technical relationships with key customers and develop new ones by participating in one-on-one user experience trainings that help foster a shared responsibility of success using MS systems with customer and consultant partners.Assist with the technical vetting of application-based content such as marketing literature, and documentation.Stay abreast of best practices and tools across learning and training industry. Ensure appropriate updates to Meyer Sound training content and technologies to reflect changes to our products and industry best practices.Represent Meyer Sound at Trade Shows and industry events that relate to the product experience. -
Design Services ManagerMeyer Sound May 2011 - Sep 2014Supervise a team of experienced designer/technicians providing high-level application support. Work with consultants, dealers, and customers to create designs with the goal of choosing a combination of products that corresponds with, and usually exceeds, their venue or tour’s requirements and expectations. Create complex system designs that consider performance criteria, aesthetics, room geometry, loudspeaker/room interaction, and budget. Communicate clearly and often with all clients and Meyer Sound sales/support staff including worldwide relationships spanning all time zones.Maintain strong evolving knowledge of the product line including 70+ loudspeakers and a growing number of digital products . Keep current with modern touring and installed sound system techniques for design and optimization.Develop performance criteria, create equipment estimates, quotations for services, full graphical design proposals communicating every aspect and advantage of the design. Supervise project maintenance over sometimes years-long life cycles including calibration and commissioning. -
Design Services AssociateMeyer Sound May 2008 - Apr 2011Work within the Design Services team listed above. -
Associate/Assistant Sound DesignerBroadway And Broadway-Style Shows 1997 - 2008Associate or Assistant Sound Designer for over a dozen Broadway and over forty Regional and Broadway-style shows and tours including: Grease, Pajama Game, A Chorus Line, Hot Feet, Who’s Afraid of Virginia Woolf, Proof, Irving Berlin’s White Christmas, Here Lies Jenny, Take Me Out, Lion in Winter, and Lincoln Center’s Henry IV P1&2.Designers worked with include: Brian Ronan, Acme Sound Partners, Mark Bennett, John Gromada, Tony Meola, Dan Moses Schreier, and Janet Kalas.Design and implement sound systems and sound content for live shows:Specify, bid, oversee construction and load-in of sound systems designed to cover Broadway-style theaters and roadhouses. Provide instant access real-time surround playback while allowing for amplification of wireless and wired microphones. Tune sound systems for smooth audience coverage and heightened intelligibility and musicality. Create content using sound effects, composed music, and pulled music.Create and maintain specification and system tracking paperwork encompassing:-Extensive custom-designed multi-table databases and CAD drawings. -Cable/Pair/Bundle management/labeling system.-Radio Frequency coordination and calculation.-As-built drawings to facilitate future productions, tours, and troubleshooting.Interface and collaborate with all production and related personnel:Create working relationships with producers, designers, technical directors, rental shops, crew, and artists while meeting schedule and budget requirements.Utilize of a wide variety of the latest audio products and techniques.
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Freelance Sound EngineerNew York City 1997 - 2008Mixer: Disney’s The Man in the Ceiling Workshop 2008Protools Operator: Spamalot Vegas 2007Mixer: 10 bands for CMJ Music Festival NYC 2007Mixer: Seven foreign presidents at Columbia University Library 2006Mixer: Larry Kramer’s The Normal Heart 2004 RevivalMixer: Golden Child NYSF/Singapore – Substitute Mixer: BroadwayMixer: Various industrials/meetings including Whitney Museum Gala, Top 50 Women in Business, PfizerAudio Head: NYSF Shakespeare in the Park 2003 Season (Outdoor Installation and Maintenance)Shop prep/Builds: Various Broadway and Broadway-style shows
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Audio SupervisorGlimmerglass Opera 1995 - 2002Design and maintain multiple audio systems to support four-show rotating repertory opera company - over thirty operas. Maintain extensive communications and video monitoring systems. Manage a staff of four audio technicians. Balance the needs of visiting artists, crew, orchestra, and music staff with the demanding schedule of repertory opera. Participate in recordings by NPR of 6 operas, and one each by the BBC and PBS’s Great Performances. -
Audio StaffBaltimore Center Stage 1994 - 1997Work alongside Audio Engineer to provide support for seven show theater season in two spaces.Assist guest designers with alignment of sound systems and operate sound console forplays and musicals. -
TechnicianF And G Lighting And Sound, Bloomington, Illinois (Now Prosource) 1992 - 1994Serve as onsite technician for events and installations of lighting and sound rental inventory.Install and maintain PA / communications / electrical for local businesses.
Michael Creason Skills
Michael Creason Education Details
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Theatrical Design And Technology -
Sound System Design/OptimizationBob Mccarthy'S Four Day Course
Frequently Asked Questions about Michael Creason
What company does Michael Creason work for?
Michael Creason works for Coda Audio (Usa)
What is Michael Creason's role at the current company?
Michael Creason's current role is Audio Professional.
What is Michael Creason's email address?
Michael Creason's email address is mi****@****und.com
What is Michael Creason's direct phone number?
Michael Creason's direct phone number is (510) 486*****
What schools did Michael Creason attend?
Michael Creason attended Illinois Wesleyan University, Sound System Design/optimization.
What are some of Michael Creason's interests?
Michael Creason has interest in Www, Com, Pomegranateband.
What skills is Michael Creason known for?
Michael Creason has skills like Sound Design, Sound Reinforcement, Theatre, Project Management, Live Audio, Recording, Sound System Design, Live Sound, Audio Engineering, Music, Installed Audio, Groovy.
Who are Michael Creason's colleagues?
Michael Creason's colleagues are Tsvetelin Donov, Dustin Praus, Cvetan Simeonov, Darko Milev, Sören Vos, Yves Guégan, Stiliyan Stoyanov.
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Michael Creason
San Diego, Ca -
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