As Production Manager for the F1 Super Stage at COTA, I am responsible for:- Advancing all of the artists' production needs- Securing and negotiating with production vendors- Coordinating with AR, Site Ops, and other departments - Bringing on a Production Team- Managing Labor Counts - Managing the Build/Strike Timeline- Ensuring the shows are executed safely, with coordination between security, medical, fire, and law enforcement as neededIn 2024, the overall event had over 400,000 attendees (final figures not released yet) with over 85,000 estimated for Eminem, the top billed act. Sting's show the day prior also brought in tens of thousands of fans. In 2023, the overall event had 432,000 attendees with over 50,000 estimated each night at the Super Stage. Queen + Adam Lambert and The Killers were the headliners, along with Tiesto over at the amphitheater. In 2022, the overall event had 440,000 attendees with over 50,000 estimated each night at the Super Stage. Green Day and Ed Sheeran were the headliners (along with Interpol playing at the Amphitheater after the final race).Additionally, on select Germania Amphitheater dates I will come in as the Production Manager / Promoter Rep.

In 2024, I resumed working regularly with the team at Frontrunner Productions in an Operations Manager / Crew capacity. I have been working on and off with this team since 2017 and was thrilled to return with them this year. In 2024, was the Operations Manager for several Frontrunner Events including:- Mad Soul Festival in Orlando, FL (March)- The District Cup Polo Match in WDC (June)- Broccoli City in WDC (July)- Kamala Harris Rally in Atlanta (November)The role for these events included coordinating my site crew, acquiring site operations vendors and negotiating terms / amounts, planning a build / strike schedule, and help with updating CADs / maps. I was also on the site team for the annual White House Easter Egg Roll this year, which involved working closely with Secret Service as well as Operations vendors. In 2018, I managed security for the California Democratic Convention in San Diego.In 2017, I managed security for the California Democratic Convention in Sacramento.In 2015, I managed security for the California Democratic Convention in Anaheim.With these roles, I managed all security, dignitary, and related operations needs for select FrontRunner Productions events. Acquired non-armed security, armed police, medical teams, and created deployment maps. I also coordinated with each venue to ensure compliance and understanding of their Event Safety Plans (and incorporated elements of our safety plans where needed). I worked with Secret Service and other details to plan out safe routes for dignitaries.

In 2024, I brought on some new faces and helped them have another smoothly run year.In 2023, myself and Liza returned in the same roles and managed all overhires, which were used at all club show venues for the first time (resulting in our largest team to date). In 2022, Moontower was held on its normal dates in April, and expanded to two weekends. With Liza as my assistant, we divided and conquered the various club venues each evening and worked to help contain price increases and staffing shortages. In 2021, Moontower triumphantly returned, and even with staffing shortages & uncertainty with pandemic variants, we were able to put on a safe and successful comedy festival once again.In 2019, As Festival Special Ops Manager, continued in a similar role as last year, with a stronger focus on managing our Hospitality Operations Team. Led training sessions for staff and helped with volunteer training. In 2018, As Festival Special Ops Manager, continued to oversee the management of transportation, security, house / show manager staff, special ops staff, and volunteers. Will ensure all venues are ready to go each night. Also oversees any furniture orders and deployment. In 2017, as Festival Manager, oversaw the management and recruitment of all Show and House Managers as well as other related staff (approx. 30 people), led the recurring staff meetings, ensured all venues (10+) were ready to go each night, ordered and supervised production related vendors. In 2016, as Assistant Festival Manager, helped with securing vendor orders, keeping staff updated and informed, and ensured smoothly run venues / schedules during the festival. In 2013, as Production Staff, will help with staffing needs, venue advancement, and other production aspects of the festival. Is an independent contractor for this event.In 2012, was a Show Manager for the Mohawk comedy venue.

As Production Manager for the Texas Craft Brewers Festival, I am in charge of recruiting and managing the production and site operations teams (as one large group). I also oversee all production related vendors, collaborate on site design and layout, and ensure everything is built and dismantled during the course of the event. I manage a team of approximately 15 people. In 2024, the festival once again sold out and enjoyed cooler temperatures with a move to mid-November. In 2023, TCBF welcomed almost 5,000 people back to Fiesta for another year of tasty beer. In 2022, TCBF was fully sold out at its pre-pandemic capacity, welcoming 5,000 people to Fiesta Gardens once again. In 2021, the event came back from the Pandemic with another capacity crowd. In 2019, the event sold out the quickest it ever has, and we once again had a successful two days of programming. In 2018, the event sold out the week prior and we continued with the two days of Partners in Craft kicking off the event on Friday night followed by the main festival on Saturday. In 2017, the event sold out prior to show day and an extra evening of programming was added for the first time. Capacity for the evening event was around 250 and for the festival itself was 5,000.

As Production Manager for the long-running Muertos Fest in downtown San Antonio, my role in 2023 was to oversee the two main stages as well as hire a small team to put up signage and help manage other production and operations tasks. Over the two day free community event, Muertos Fest brings in over 100,000 people and features a daily procession of the altars as well as live music (headlined by Ozomatli in 2023), food vendors, art vendors, and a kid's area.In 2024, I returned as a Stage Manager (due to time commitments) and helped ensure the main stage ran smoothly.

The Austin Kite Festival is one of Austin's longest-running events, in its 95th year for 2023. Average annual attendance at Zilker Park is 30,000+, and it is free to the public. In 2024, I returned as a Production Manager with the Festival Director role being moved back in-house for budgetary reasons, and helped ensure all production / stage elements ran smoothly. As Festival Director for 2023, I will be in charge of managing all operations, production, food / art, VIP, and kiddie areas of the festival. I will also help oversee permitting, negotiating with suppliers, staffing the onsite team, and building a production timeline. In 2021 and 2022, as Assistant Festival Manager I helped support the Festival Director with advancing as well as day to day operations. In 2019, as Food Vendor Manager, I helped acquire and oversee all of the food vendors for the event. In 2018, as the Kite Contest Stage Manager, I oversaw the announcing and management of the Kite Contest area within the festival grounds.

In 2023, I was promoted to overseeing Operations for Hullabaloo. This involved ensuring all major elements were in place onsite. We welcomed over 5,000 people throughout the weekend. As a Stage Manager, I help advance with all artists playing the festival as well as devised a load-in/out procedure, coordinated backline and PA needs, and ensured a smooth and on-time run of show. Average attendance of the festival is around 5,000 people each year.As Production Staff, helped with the site build / strike as well as overall site design and any run of show issues that may occur during the event. Also designed and am in charge of the website for this festival.

Created and produced the first-ever FestivalAndEventProduction.com Production Workshop, held this past June in Austin, Texas over the course of 2 weeks (each workshop was 2 days long). These hands-on (with pandemic safety measures), small group workshops gave attendees a thorough understanding of various festival and event production areas, including: audio, lighting, backline, LED / video, power, rigging / stage labor, leadership, and event safety / COVID-19 strategies. Each area had a 2 hour session, whereby attendees were able to do and observe activities including powering on / off a generator; building a drum kit; ringing out the monitors, assembling an LED wall; tying rigging knots; wearing COVID-specific PPE; and much more. The workshops concluded with a session on compassionate leadership and Q & A featuring local event experts, including law enforcement, an event medical doctor, a K9 unit, and an entertainment lawyer. A second workshop was held in May of 2021 at Circuit of the Americas in Austin, Texas. If you are interested in helping bring one of these to your city, please get in touch.

As a Promoter Rep for Paragon Presents, I am responsible for being the primary liaison between the artist and the venue. This involves a full advance with the production and/or tour managers prior to the show and linking together their various needs with what the venue can provide and what we will need to acquire. Day of show, the role involves ensuring all artist production and hospitality needs are met while closely working with the venue, local law enforcement, stagehands, and other house staff to produce a flawless show. Depending on the show, I may also be involved with post-show settlement.In 2019, I worked with Alice Cooper and Baby Shark as a Promoter Rep. In 2018, I worked with Judas Priest as a Promoter Rep.Artists worked with in 2017 as a Promoter Rep: The Last Waltz Tour, I Love the 90s Tour, Skillet, and Primus. Artists worked with in 2016 as a Promoter Rep: Dolly Parton (Corpus Christi, TX and Austin, TX) and Boston (Portland, OR).

As owner and the primary web architect for Prodigious Design, I have helped more than 200 clients in web development, maintenance and hosting since 2002.Our focus is producing affordable websites that our clients can update elements of themselves, keeping their costs down. We also have a specialty in bar / club / venue website creation that feature interactive calendars and photo galleries best suited for these kinds of businesses. We also are experienced with the latest and greatest Wordpress updates, plug-ins, and themes. We can help you build a responsive website through Wordpress that you can then update on your own.Some examples of our work include:Flagstaff Hullabaloo - Flagstaff, AZhttp://www.flaghulla.comFestival and Event Production (WordPress)http://www.festivalandeventproduction.comThe Dogwood - Austin, TXhttp://www.thedogwoodaustin.com..Many more examples can be found at our website.

As Festival Director for the Five Points Jazz Festival in Denver, CO, I am in charge of putting together a team of managers, coordinators, and crew to produce this long running and free community event. Other duties included managing the overall budget, overseeing CAD updates, working with local police, fire, and security on the Emergency Action Plan, vetting out potential service providers (and negotiating on price), finalizing the build/strike and run of show schedules, and leading the team meetings. We welcomed over 50,000 people throughout the day, in which they enjoyed over 50 bands on 10 stages, along with blocks of art vendors and several food trucks.

For Been There 2, a benefit festival for The Other Ones Foundation, I was in charge of hiring an onsite festival staff, leading team calls, managing the production and operations budgets, and selecting various festival service providers and vendors. This event raised over $1,000,000 to help support The Other Ones Foundation, and was a successful execution both in person and online with our livestream donation platform. Headliners included The Pharcyde, Brownout, and HeartByrne.

As Festival Director for the three day Wonderfront Music Festival, my primary responsibilities include fleshing out all staffing and primary vendor needs for the festival, as well as creating a master timeline, coordinating site visits and meetings, working with local officials and representatives, and keeping the festival within budget and executed in the best way possible. For the 2019 Festival (which featured Ben Harper, MGMT, Migos, and Dimitri Vegas as headliners), I led a team of over 150 staff who helped ensure that the 10 stages, 120+ bands, various festival activations (including Tony Hawk's halfpipe), and food / art vendors all went off successfully. The footprint was about 1.5 miles wide, and included parks, private parking lots, and port buildings. I also worked closely with San Diego Port Police, San Diego Fire & Rescue, San Diego Police, and various medical providers to create a unified command operation, safety plan, and emergency action procedures.For 2022, Wonderfront welcomed headliners Gwen Stefani, Kings of Leon, and Zac Brown Band. We adjusted our footprint from 2019, making for a more user-friendly design, and made various changes and upgrades throughout the site based on 2019 feedback (a wider bridge, for example).

As stage manager for the Dell Children's Ball, I helped advance the run of show / script with the planning team, managed one of two soundstages, and brought on a second stage manager for the second stage. This role also involved cueing speakers, ensuring the proper speakers were standing by when needed, and troubleshooting any tech, lighting, or video issues with the tech team. The Ball was able to raise over a million dollars in the few hours this program was live. In 2023, the Dell Children's Ball was held at the Fairmont Hotel and was fully in person, with a live stream component. The Dell Ball returned in 2022 in a hybrid format, and will be returning in 2023 as an in-person experience once again.

As a contractor for C3 Presents, assumed a variety of roles in the production of their major events and festivals. My functions have focused on production vendor negotiation and management, security/operations management, stage management, VIP area management, reconciling budgets, securing staff, and other related tasks. 2023 events included the Innings Festival, Tempe AZ (Stage Manager) and Bonnaroo, Manchester TN (OTHER Stage Manager - Daytime).2022 events included the Innings Festival, Tempe AZ (VIP Area Manager) and Bonnaroo, Manchester TN (OTHER Stage Manager - Daytime).2019 events I worked on included the Rachael Ray Feedback Party (Production Manager).2018 events I worked on included the Rachael Ray Feedback Party (Production Manager), Lollapalooza (VIP South Manager), and Austin City Limits Music Festival (VIP Manager). 2017 events I worked on included the Rachael Ray Feedback Party (Stage Manager), All Things Go Fall Classic (Production Manager), and VooDoo Music Festival (VIP / Platinum Security Manager). 2016 events I worked included the Nike Longhorn Run (Production Staff), the Rachael Ray Feedback House (Stage Manager), a SXSW private event (Production Staff), South By South Lawn at The White House (Site Operations Manager), All Things Go Fall Classic in Washington, D.C. (Site Operations Manager), and the Chipotle Cultivate Festivals in Phoenix, Miami and Kansas City (Stage Manager).2015 events I worked included the Rachael Ray Feedback House (Stage Manager), the California Democratic Primary (Operations Manager), LouFest (Stage Manager), CounterPoint (Production Coordinator), the White House Easter Egg Roll (Assistant Stage Manager), NFL Draft's Fan Fest (Production Coordinator), a State Farm Activation (Production Manager), Austin City Limits Music Festival (Stage Manager), Nike Activations (Production Team), and the Chipotle Cultivate Festivals (Stage Manager; multiple locations in Kansas City, Minneapolis, and Phoenix).

As Production Manager for Old Settler's Music Festival, I am in charge of advancing all artists for 3 stages as well as overseeing the stage managers / stage crew, negotiating and advancing with production vendors, coordinating on security needs, and organizing the backstage compound / parking area. This festival, now in its third decade, is a 4 day camping festival about 45 minutes outside of Austin. Approximately 5,000 people attend per day. In 2019 we welcomed artists including Jason Isbell, Belinda Carlile, and The Lone Bellow.In 2020, the festival was unfortunately postponed due to the pandemic. In 2021, the festival came back with special October dates and featured Jamestown Revival, Jade Bird, Sam Bush, Fruition, and many more. In 2022, the festival returned to its usual dates in April and featured Del McCoury, Galactic, Leftover Salmon, Railroad Earth, and many more.

As Production Manager for the Republic of Texas Biker Rally, I am in charge of acquiring all of the production elements for the main and second stages at this event (including stage, sound, lights, video, risers, and backline). I also am in charge of advancing with all main stage bands and finalizing the backstage / FOH layout of the main stage site. ROT Rally moved to a new venue in Bastrop for 2022 with a lineup of Foghat, Rev Horton Heat, Ray Wylie Hubbard, and more.ROT Rally returned from a pandemic pause in 2021 in a new location at Circuit of the Americas with a lineup of Rev Horton Heat, Blackberry Smoke, Eric Tessmer, and others.Artists who performed in 2019 included Kings of Chaos, JACKYL, and Tom Keifer. Artists who performed in 2018 included ZZ Top, Shooter Jennings, and Hairball.Artists who performed in 2017 included Texas Hippie Coalition, Kings of Chaos, and Joe Ely.Artists who performed in 2016 included The Cult, Steppenwolf, Robby Krieger (of the Doors), and more.

As a Co-Producer, I was hired as an independent contractor by Lewis Energy Group's primary event producer to help manage their semi-annual holiday party. This role involved organizing key documents (including the production timeline and security maps) as well as helping lead meetings, brief the staff, negotiate and oversee production vendors, and ensure a smoothly run event by acting as one of the primary liaisons between the client and the venue. In 2017, LEG held their holiday party at the Laredo Energy Arena and featured Huey Lewis & The News along with Los Lobos as musical talent. They took 2018 off but plan to be back for 2019.

As a Production Manager for Country Jam, a 4 day camping country music festival, I was in charge of overseeing all production (stage, sound, lights, backline), stage labor, and artist advancing for both music stages. In late 2019, the festival was purchased by another company who has replaced most departments with their own staffing. In 2019, headliners included Luke Bryan, Sam Hunt, Little Big Town, and Alabama.In 2018, we welcomed Miranda Lambert, Florida Georgia Line, and Brantley Gilbert. Previous headliners in 2017 included Kenny Chesney, Jason Aldean, and Justin Moore.

As Production Manager for the new 7,500 capacity outdoor venue the Skyline Theater at the Long Center in Austin, Texas, my role is to advance all production needs with the artists as well as work with all production vendors (staging, sound, lights, backline, video, barricade) to ensure all production needs are met. Day of show, I function as the Production / Stage Manager, ensuring that the bands load-in and set times stay on schedule, and I will act as a primary liaison between the artist PM and the venue. Our second concert season in 2017 included Bryson Tiller and Dirty Heads. Our first concert season in 2016 included Steve Miller Band, Culture Club, Boston, Need To Breathe, and the Goo Goo Dolls, among others.

As Festival Director for the 30,000 per day LouFest music festival based in St. Louis' Forest Park, I am in charge of overseeing the entire festival team, with a focus on Production, Artist Relations, VIP, Sponsors, Kid's Area, Security, Site Operations, Food & Art Vendors, and Media / PR. I am also in charge of building / recruiting our team of stage managers, artist relations and hospitality managers / staff, and a site manager / crew.This role also entails acquiring and negotiating with production and site vendors to properly accommodate both the artists as well as the crowds expected for this year's festival as well as overseeing CAD revisions, city relations, and coordinating with other events going on at the park. I am also developing and integrating a custom designed online portal system to tie together the various advance forms commonly used for festivals of this size, at festivalforms.com. It was successfully deployed in 2016 and 2017 with more updates forthcoming for 2018.Headlining artists for 2016 included LCD Soundsystem, Ms. Lauryn Hill, and Chris Stapleton while 2017 headliners included Snoop Dogg, Weezer, and Huey Lewis & The News.

As Production Manager for Fortress Festival, I am in charge of the production vendors and staff for both stages. This includes managing the stage managers, stage crew, build/strike labor, and related staff. This festival spans several different sites, including the Will Rogers Auditorium grounds and the Modern Museum grounds.I also utilize my FestivalForms.com advancing software in collaboration with the Artist Relations Department to properly advance every artist. In 2018, headliners included Father John Misty, De La Soul, and Courtney Barnett.In 2017, headliners included Purity Ring, Run the Jewels, and Flying Lotus.

As Production Manager for the inaugural Sound on Sound Fest, a three day camping music festival to be held at the Sherwood Forest Faire just outside of Austin in November of 2016, I was in charge of overseeing all production advance for artists as well as helping source select festival staffing needs. I worked with production vendors to ensure all stage / sound / lights / backline / video are all accounted for, and I provided custom online forms and a web based portal to help keep advance information easily organized (festivalforms.com).Headliners for this year's festival include Explosions in the Sky, Phantogram, and Beach House.

As the Outdoor Stage Manager for the inaugural NOLA Texas Festival held at Cedar Park Center near Austin, TX, I was in charge of advancing all production needs with the artists, setting load-in times, overseeing on-site hospitality and backstage layout, and ensuring the bands played on time. Artists involved with this event on my stage included Asleep at the Wheel, Cowboy Mouth, and Bob Schneider.

As a stage manager of the X Games Austin 2015 Super Stage, I was in charge of ensuring that all production elements were in order for the two X Games headliners, Nicki Minaj and Metallica. This required going through all of their technical riders, making sure all of the production vendors (including stage, lighting, sound, video, backline, and power) all had what they needed, and that each artist's production team felt comfortable with stage and related areas. I also helped ensure labor calls were properly staffed, and security deployments were in place around the stage. Estimated attendance was up to 25,000 people for Metallica.

As Event Production Manager for Circuit of the Americas, my job fell into two main areas:Assistant General Manager / Production Manager of the 14,000 capacity Austin360 Amphitheater. I was in charge of the production and operations teams to help ensure smoothly run concerts all season long. Concerts last year include Arcade Fire, Jimmy Buffet, KISS, and Nine Inch Nails.I was also the Lead Event Producer for RedFest, a three-day camping music festival held each Memorial Day Weekend. I was in charge of ensuring the production side of this festival is executed flawlessly and oversee a team of production, operations, and site personnel. Headliners included Tim McGraw, Florida Georgia Line, and Lynyrd Skynyrd. In addition to these two primary roles, I also acted as Production Manager for the X Games music festival component, advancing production details with all of the artists over four stages as well as creating and managing a staffing plan for stage management, stage labor, and artist relations. Headliners included Kanye West, Pretty Lights, and Flaming Lips.I was also the Lead Producer for the 4th of July Austin Symphony and Fireworks Event, acting as the main liaison between the Austin Symphony and COTA as well as organizing all of the production elements and ensuring everyone is on the same page with regard to staffing, site element placement, timeline, and various other event details. I also acted as support for all major COTA events, including Lone Star Le Mans, F1, MotoGP, FanFest and other races and events.

As talent buyer and production staff for the 20th Annual Austin Reggae Festival, am in charge of booking all of the main stage artists as well as ordering select goods & services for the event. Other duties include being a liaison to the city and to the parks department and handling various production-related day of show tasks. This event runs for three days in mid-April 2013 at Auditorium Shores in Austin, TX, and has an average attendance of 10,000 to 15,000 people each day.Returned to Austin Reggae Fest in 2013 to help with the permitting / planning of the 2014 festival.

In December of 2011, was a Stage Manager for a large private holiday party at the Alamodome in San Antonio. Helped ensure a smoothly run event with three artists, including a national headliner, for 15,000+ guests. In February of 2012, was a Field Manager for the USA Football Bowl game in Round Rock, Texas. Helped ensure the program stayed on time and that elements of the script were executed correctly.In December of 2013, I returned to the Alamodome in San Antonio, Texas as Co-Production Manager for the same holiday party client as in 2011.

As part of the Stage Management / Talent Team for "Let Freedom Ring", an event celebrating the 50th anniversary of Martin Luther King's speech, ensured that speakers and artists were properly escorted and staged for their speeches / performances at the correct times. Also helped revised the site map and advanced with the artists regarding their needs.

As Crossload Coordinator for LouFest in St. Louis, MO, helped ensure that artist backline was delivered to the proper stages and back to their vehicles. Also helped with various artist relations tasks. As Site Crew Steward for Austin City Limits Music Festival, oversee a crew that ensures proper ground coverage for site build and strike. For run of show, will work with the Crossload and Artist Relations teams to notify them of artist arrivals. Had previously volunteered and worked for C3 from 2004-2006 in the Art Market (volunteer, 2004) and as Food / Art Vendor Support (supervisor, 2005-2006) as part of the Food / Art Vendor team.

As a Production Manager, was responsible for advancing artist and select production needs for an arena show featuring hip hop acts. Negotiated all technical and production needs for the headliner and acted as primary stage manager for run of show.

As venue / site manager, was in charge of day of show production for SXSW's largest showcase with a capacity of 20,000-25,000. Average attendance each day was 25,000, 14,000, and 12,000 in 2011 and 20,000, 17,000, and 10,000 in 2012 and 10,000, 20,000, and 10,000 in 2013. Oversaw a team of paid staff and volunteers to ensure a smoothly run operation from load-in through the three day event and the subsequent load-out. Managed relations and negotiations with select goods & services vendors, including fencing, barricade, security, port-o-lets, trailers, tents, power, furniture, and others. Created a production timeline, production site map, public map, and select signage needs. Reported to a Production Manager, Executive Director, and Planning Team Supervisor. Was an independent contractor for SXSW.

Includes the acquiring and negotiation of artists, day of show management, festival / event pre-planning & execution, goods & services ordering, website management, and other related tasks.Past Festivals & Events I have worked on include:* Zilker Relays - Austin, TX - August 2012* Texas Monthly BBQ Festival - Austin TX - September 2012* Pachanga Latin Music Festival (4 years running) - Production Manager* Texas Hill Country Wine & Food Festival (3 years) - Production Manager* Festival at the Switchyard - Carrollton, TX (4 years running) - Production Manager, Talent Buyer* University of Texas Haunted House - Austin, TX (2 years running) - Production Support* Family Fest - Production Manager - College Station, TX - May 2012* Taste of North Austin - The Domain - Austin, TX - June 2012* Green Apple Music Festival - Dallas (2008) / Austin (2009) - Production Manager* City of Hutto, TX 100 Year Anniversary Party - Production Manager* Endless Beauty Launch Party at Seaholm Power Plant - Production Manager* South Padre Island Music Festival - Volunteer Manager / Assistant Production Manager* Keep Austin Weird (2006-2007) - Production Manager* Fun Fun Fun Fest (2007) - Assistant Production Manager* Rolling Stones at Zilker Park - Assistant Vendor Manager* Austin City Limits Festival (2004-2006) - Food Vendor Supervisor / Staff, Art Vendor Staff* Multiple Tailgate Events during UT home games in Austin for corporate clients (3 years running)* Multiple corporate events for nationally-known companies including banks, telecommunications, and media.

As part of the production management team for Country Thunder, helped ensure a smoothly-run event by assisting in several key festival elements, including vendor relations, site build, customer relations, and daily site maintenance. Record-setting crowds of 76,396 attended this festival last year, and this year the festival sold out (at 25,000 each day for two of the four days) for the first time in 20 years.

As a Stage Manager, was responsible for advancing with an average of 24 bands (6 bands per night for 4 nights) and ensuring their production needs were handled. Also made sure that all bands knew the proper load-in / out procedures. Was in charge of keeping every showcase running on schedule each night. Was the lead supervisor for a stage crew that numbered anywhere from two to four people.

Co-founded Intelligroove, a booking and live music production company, and was in charge of acquiring talent, managing events, and website maintenance.We booked bands including:Yonder Mountain String BandParticleUmphrey's McGeeTea Leaf GreenLymbyc SystymZilla / ZuvuyaJerry JosephDelta NovePsychedelic BreakfastTony FurtadoThe SlipAnd Many More

Job responsibilities included purchasing OEM materials for specific parts of semiconductor manufacturing equipment. Was in the ETCH group at Applied. Worked with multiple suppliers and had to meet deadlines, quantity requirements, and last minute changes / additions to the product. Also built a website for our group and helped plan social outings, such as potlucks and other meetings.