Nancy Ostertag Email & Phone Number

Built a visuals department from the ground up! Roundglass is an incredible venture to democratize Wellbeing. Best part? Getting to build Photography, and Digital Asset Management infrastructure that works and supports the team!

Washington, Dc

Producing, gathering, and commissioning visuals, both photography and design for the Marketing and Communications teams. Presentation design for C-suite executives. Working collaboratively with the legal, editorial, and licensing teams to support National Geographic's mission. Best part? The most amazing photographers in the world!

Long term contract editing imagery, video, and other content for the Travel Channel "Cities" app.

Editing deliverables from Travel Channel shows for use on the website and in social media.

Arlington, Va

Spent the summer working with the wonderful folk at Rare.org again! This time, we built an online archive/DAM system to house imagery and other assets from 20 years of projects. Such a fun assignment, such wonderful people! Always great to feel like you are doing some good in the world.

I worked for Getty as a stringer covering entertainment events in Los Angeles, and DC, and I still have a contributor contract with them for stock imagery.

Contract Photo Editor, pinch hitting for an incredible team while they finished a big project. Provided edited imagery to Discovery networks for web and social media.

Arlington, Va

Contract Photo Editor for fantastic people making the world a better place. Pulling imagery from their archive to help tell the story of over 200 projects worldwide.

Coolest year ever; spent helping DSI launch, and crafting internal and external communications strategies with a team of visionary entrepreneurs. In startup fashion, I got to be a part of everything; media liaison, virtual office manager, and best of all...Investor!

Photo Editor for two award winning children's wildlife magazines.Three years collaborating with a dedicated and talented team of writers, editors, and designers. Over forty print issues, a beautiful app. My favorite part? A commitment to the contributing artists that is rare in publishing allowed for actual collaboration, and relationships with some of the top wildlife photographers in the world.

Photo Researcher at boutique firm doing research for USPS, educational publishers, The Smithsonian, and corporate clients

Washington D.C. Metro Area

Art Buyer for marketing, and design firm specializing in legal marketing and web/app design.Buying stock at a pivotal point in the evolution of that industry, and supervising the in house photographer - In just under a year I learned so much from the team at GB. Best part? The team! Most fun you could have at work!

Years after leaving, I still say "we"​ when I talk about AFI. A wonderful team, an amazing mission, access every day to the best storytellers in the world, and free movies! If it was photo related, I did it. As one does at a not-for-proft, I took on more and more responsibility as areas where that was needed were identified. Created the American Film Institute's Photo Archive. Curated the existing disparate collections, created taxonomies and naming conventions, stored and maintained… Show more Years after leaving, I still say "we"​ when I talk about AFI. A wonderful team, an amazing mission, access every day to the best storytellers in the world, and free movies! If it was photo related, I did it. As one does at a not-for-proft, I took on more and more responsibility as areas where that was needed were identified. Created the American Film Institute's Photo Archive. Curated the existing disparate collections, created taxonomies and naming conventions, stored and maintained the physical negatives and prints. Created the role of Photo Editor, managed coverage of all events, campus and nationwide. Worked as curator to design and install permanent exhibits on campus and rotating exhibits a the new AFI Silver Theater.Best part? The best Boss in the business, and lifelong friends. Show less

Custom Black and White printerOnce upon a time there were Black and White labs doing commercial and fine art work, and Photo Impact was one of the best. I was hired to make contact sheets, and worked my way up to printer. My own personal Masters program in Photography, I was in the darkroom for over 40 hours a week working with the best printers in the business. Best Part? The boss allowed the printers and staff to stay after hours to print our own work!

Intern, Photography, Studio Management, Archive Management, Fine Art Printing

Activities and Societies: Internship focusing on Production, Archive, and Printing I was incredibly fortunate to work in Annie Liebovitz's.

Ba, Philosophy, Art, Anthropology, Psychology