Neil Queen-Jones Email & Phone Number

London, England, United Kingdom

As part of the Editorially Integrated Partnership team, my role requires me to subedit, proofread, fact check and write SEO-led headlines and standfirsts on branded content for a wide range of commercial clients across print and digital, while ensuring all copy adheres to Telegraph house style. Working to strict deadlines, I also take in client amends and collaborate with editorial, project managers and web producers to guarantee that whatever is published is of the highest quality. When… Show more As part of the Editorially Integrated Partnership team, my role requires me to subedit, proofread, fact check and write SEO-led headlines and standfirsts on branded content for a wide range of commercial clients across print and digital, while ensuring all copy adheres to Telegraph house style. Working to strict deadlines, I also take in client amends and collaborate with editorial, project managers and web producers to guarantee that whatever is published is of the highest quality. When needed, I also sub-edit press releases, decks and marketing materials for the commercial team. Show less

I was a music and film critic for The Times while working for the News Of The World. Starting out reviewing films for the Saturday Knowledge supplement, I went on to write the daily Track Of The Day online music column, championing new artists until 2008. On the back of this, I went on to write for The Guardian, Dazed & Confused and Mixmag. In recent years, I have been writing about blockchain and NFT subjects for Undrgrnd and XTZ News.

Carrying out alpha and beta testing on the Football Manager series of games, helping to isolate issues and bugs in the game ahead of official release, making suggestions to improve UI and highlighting real-world errors in the data related to the players.

London, England, United Kingdom

Working across print and online for The Times, The Guardian, The Telegraph, Radio Timesand others, this involves editing, fact-checking and proofreading news stories and features, while ensuring all copy adheres to style guides, as well as writing headlines and furniture that effectively use search engine optimisation.

Web3

NFT brand management, social media management and public relations. Working with NFT artists who mint on the Ethereum and Tezos blockchains to help them raise awareness and communicate their work and identity to a wider audience. This involves conventional PR methods to secure online coverage that effectively conveys their message and also running social media accounts that deliver news and content to holders and potential holders of their work, while engaging with the community of collectors… Show more NFT brand management, social media management and public relations. Working with NFT artists who mint on the Ethereum and Tezos blockchains to help them raise awareness and communicate their work and identity to a wider audience. This involves conventional PR methods to secure online coverage that effectively conveys their message and also running social media accounts that deliver news and content to holders and potential holders of their work, while engaging with the community of collectors across platforms. As part of this, I've also moderated a Twitter Space for Nifty Gateway. Show less

London, England, United Kingdom

Editing, fact-checking and writing headlines and furniture for news stories. I ensure that all copy is accurate, complete and adheres to The Times’ style guide. Also, I liaise with the writers to resolve any queries, assist with the proofreading of pages before they are sent to print and take in copy changes for stories that have been updated in the late edition.

Responsible for all stages of production, from setting production schedules, chasing copy and proofreading through to signing off the final pages. My role is to ensure that the final product meets deadline and is of the highest possible standard, dealing with all problems that arise along the way. As well as the weekly magazine, there are quarterly specials and an annual, which means that I am relied upon to manage fluctuating workloads for the whole mag team. I ensure all pages… Show more Responsible for all stages of production, from setting production schedules, chasing copy and proofreading through to signing off the final pages. My role is to ensure that the final product meets deadline and is of the highest possible standard, dealing with all problems that arise along the way. As well as the weekly magazine, there are quarterly specials and an annual, which means that I am relied upon to manage fluctuating workloads for the whole mag team. I ensure all pages produced by the team are error-free and meet house style, while being aware of any possible legal problems. As part of an exercise to manage costs, I lead an initiative to take the weekend results section in-house, where the pages were previously provided by the Press Association. I have also taken on duties related to the digital version of the magazine, using Immediate's in-house software. I oversee the transition from print to digital and source material that can be used in the interactive format. I'm also a part of the MOTD social media team, responsible for helping grow the audience and producing engaging content. Show less

Utilising my experience as a film critic, combined with my film studies knowledge and proof-reading and copy-editing skills accrued in my time in journalism, I have taken on script reading duties for aspiring screenwriters in the Blacklist forum, providing reports and feedback. I have also attended the Effective Script Reading course, run by Industrial Scripts.

United Kingdom & United States

Set up a trans-Atlantic music PR company, focused on establishing and providing PR resources for up -and-coming artists in the moombahton dance genre, such as Nadastrom, Munchi and DJ Sabo, with Marcus Dowling from Washington and Brent Lippincott from Kansas. We also expanded to work with other international artists and clients like Legitmix. Aiming to embrace the freedom offered by digital media, we provided PR resources and a global outlet to artists, securing coverage in national… Show more Set up a trans-Atlantic music PR company, focused on establishing and providing PR resources for up -and-coming artists in the moombahton dance genre, such as Nadastrom, Munchi and DJ Sabo, with Marcus Dowling from Washington and Brent Lippincott from Kansas. We also expanded to work with other international artists and clients like Legitmix. Aiming to embrace the freedom offered by digital media, we provided PR resources and a global outlet to artists, securing coverage in national media, including BBC Radio 1, The Guardian, Clash magazine, Mixmag and countless websites and secured a spot in a campaign for the world-famous Tekken computer game series. Show less

As production editor for all of News Of The World magazines (Sunday, Fabulous, Big On TV and supplements), I was involved in all elements of the production process, from flatplanning to sending approved pages to the printers. Tasks included setting and enforcing production schedules and copy deadlines, identifying and solving problems, subbing and rewriting copy, fact-checking, writing headlines, standfirsts and captions using Indesign and QuarkXpress. I also liaised with in-house advertising… Show more As production editor for all of News Of The World magazines (Sunday, Fabulous, Big On TV and supplements), I was involved in all elements of the production process, from flatplanning to sending approved pages to the printers. Tasks included setting and enforcing production schedules and copy deadlines, identifying and solving problems, subbing and rewriting copy, fact-checking, writing headlines, standfirsts and captions using Indesign and QuarkXpress. I also liaised with in-house advertising, online and repro departments, and carried out quality control and offered low-level IT support. On top of this I also wrote weekly film reviews for Big On TV, and planned and oversaw an office refit. Show less