Nathan Hong Fisher Email & Phone Number

Renton, Washington, United States

New York City | Los Angeles | Seattle

As a creative producer I generated project timelines, schedules, budgets and creative direction for 4 films and 10 episodes of original digital content, managed a crowdfunding campaign through Seed&Spark for $15,000 in funding, and secured additional development funds from Fullscreen Media for $75,000 for the digital series “TableTalk”. My accolades include FilmQuest 2019 nominating “Hello, World” for Best Sci-fi Short, “The 49th Day” became an official selection at the 2019 Austin Film… Show more As a creative producer I generated project timelines, schedules, budgets and creative direction for 4 films and 10 episodes of original digital content, managed a crowdfunding campaign through Seed&Spark for $15,000 in funding, and secured additional development funds from Fullscreen Media for $75,000 for the digital series “TableTalk”. My accolades include FilmQuest 2019 nominating “Hello, World” for Best Sci-fi Short, “The 49th Day” became an official selection at the 2019 Austin Film Festival, the digital series “TableTalk” premiered at SeriesFest 2017, and “Backtrack” was awarded a jury prize in the 2016 International Filmminute Festival.- Created pitch decks and project bibles for investors and potential creative partners.- Created and managed overall project budgets as well as allocated departmental funds.- Oversaw projects from concept through creative development, production, post-production, and delivery.- Coordinated physical and digital asset creation for VFX and practical production needs.- Directly managed creative teams and external vendors of up to 35 members domestically and abroad.- Developed the series “TableTalk” for Fullscreen (2.5+ million subscribers) from greenlight to premiere in 8 months. Show less

New York | Los Angeles | Seattle

I lead the art department on 14 films and 27 episodes of digital series. I hired internal creative team members as well as external vendors. I developed and oversaw workflow and pipelines for multidisciplinary artists in sourcing, creation, and delivery of high quality physical set pieces, practical props, and digital assets within project timelines. This past year I designed the narrative sequences for the Marvel Cinematic Universe’s Russo Brothers docu-series “Slugfest” and the Academy Award… Show more I lead the art department on 14 films and 27 episodes of digital series. I hired internal creative team members as well as external vendors. I developed and oversaw workflow and pipelines for multidisciplinary artists in sourcing, creation, and delivery of high quality physical set pieces, practical props, and digital assets within project timelines. This past year I designed the narrative sequences for the Marvel Cinematic Universe’s Russo Brothers docu-series “Slugfest” and the Academy Award shortlisted NETFLIX documentary “Dick Johnson is Dead”.- Conceptualized and developed visual styles in collaboration with executive creative teams.- Created briefs and reference guides for internal and external creative teams and vendors.- Generated and managed schedules for deliverables, reviews, feedback, day-of production, and final delivery.- Excelled as a team leader with tight deadlines, ambiguous goals, and a high bar for quality.- Under executive producers the Russo Brothers, managed cross country teams for the digital series “Slugfest”.- Integrated new workflows into an existing creative pipeline for the NETFLIX feature doc “Dick Johnson is Dead”. Show less

Greater New York City Area

Pitched, designed, and developed motion graphics for film trailers, television spots, and promos.Nominated for a Golden Trailer award for work on the 'Colonia' project.Clients included: HBO, Netflix, A24, Blumhouse, Lionsgate, Lucasfilm, and Focus Features

End to end creative development and delivery of branded content for social media platforms.Managed a creative team of 12 in concert with executive input to consistently deliver high-quality videos on time and under budget.

Greater Seattle Area

Developed short form technical and marketing videos for websites and social media.Leader of a small creative team that took pitches to final cut in ten days.

Redmond, Washington, United States

Core test team for AAA titles including: Alan Wake, Gears of War 2, Crackdown 2, and Xbox Kinect.

Founding member and active artistic consultant of Emerald City Scene, a Seattle based not for profit theatre and film company.Built strong relationships with other companies and donors. Including: Stone Soup, NWFF, the 5th Ave, The Seattle Rep, The University of Washington Drama School, W.E.T, and The Stranger.

Bachelor Of Arts - Ba, Film & Media Studies

Certification, Motion Graphic Design

Theater

Activities and Societies: Psi Upsilon, Undergraduate Theater Society