I worked on Life is Strange: Double Exposure. We made over 450 cinematic minutes. I have experience in proprietary cinematic tools. Editing cameras, animation, toggles, and triggers. Identifying issues as they arise and passing them to inter-team departments, as well as previz in Sequencer, using a library of animations and rapid capture to set up a scene.

Creator of Remote Orbit and Autonima, made in Unreal 4.I worked on gameplay programming, story, art, effects, UI/UX. Remote Orbit was awarded the Epic Megagrant in 2019.Remote Orbit is a first-person survival/exploration game set in an orbital debris field. Gameplay is tactile physics interactions, detailed interactive props, procedurally generated levels and networks.Autonima is a third-person, story-driven adventure set in a unique world of steampunk automatons. Focused on… Show more Creator of Remote Orbit and Autonima, made in Unreal 4.I worked on gameplay programming, story, art, effects, UI/UX. Remote Orbit was awarded the Epic Megagrant in 2019.Remote Orbit is a first-person survival/exploration game set in an orbital debris field. Gameplay is tactile physics interactions, detailed interactive props, procedurally generated levels and networks.Autonima is a third-person, story-driven adventure set in a unique world of steampunk automatons. Focused on vibrant art, animations, text dialog UI systems, world building, and cinematics. Show less

Responsible for creating environment models, items, terrain textures, and VFX. I worked with our art director and concept artist to create a unified style and transition into PBR.I worked with programmers and designers to deliver functional models. Responsible for asset setup for proprietary game engine. Assisted procedural generation team to build quality environments.