Prashant Pawar Email & Phone Number

Mumbai, MH, IN

India

As Head of Assets, which includes the Modeling, Surfacing, and Grooming Department, I’ll lead the talented Feature Animation Build team in India. My focus is on ensuring smooth operations, enhancing collaboration across our global locations, and ensuring our department delivers flawless results.

Mumbai, Maharashtra, India

Credit list:- The Angry Bird Movie 3 (Filming)- Garfield The Movie- Under the Boardwalk

Ireland

• Credit list:
• Hasbro’s My Little Pony: A new Generation (Feature animation film)Responsibilities:
• Beside my daily asset creation quota, which involves Texture painting and Look development, I am also an active part of the following:
• Look development of critical assets and environments.
• Creating shader Library in Arnold for Katana, which can be used by the team.
• Creating Mari Session library which serves as blocking or starting recipe for an asset to maintain uniformity.

Mumbai Area, India

• Texture painting, shading and Supervising the creation of texture maps for characters, sets, and props.
• Reviewing and approving UV, textures, and shaders once the artist has completed assignments.
• Bidding and setting up benchmarks for the asset look for the show.
• Helping other artists as well as the cross-department with texture and shader troubleshooting.
• Reviewing, approving and troubleshooting work from outsourced artists.
• Working with pipeline and TD team for the introduction of new tools or methods in the surfacing.

Bangalore India

• Worked in hand with pipeline and TD department to set up this new studio.
• Actively took part in the training of commercial tools.
• Communicated with Art directors and Production designers to understand their expectations.
• Technical and creative troubleshooting, to make sure the file is handed over to other departments within the stipulated period.

Bengaluru Area, India

• Head starting a show, to make sure the team swiftly blends into the new style of working both creative as well as technical.
• Texture painting, shading, fur creation (if needed) and Supervising the creation of same for characters, sets, and props.
• Establishing the look of characters, props, and environment as per the direction from the Art director, Production designer and Surfacing supervisor.
• Represented team and its completed tasks, to cross-site teams for approvals and technical queries.
• Ensures that Surfacing files are complete and ready for lighting.
• Troubleshoot technical and creative issues as they arise.

• Modeling, UV mapping, texture painting and shading of characters.
• Assisting Texture Supervisor in reviewing and approving textures and shaders.
• Helping teammates to achieve the expected look of an asset.
• Working closely with other team Supervisors, leads, and art directors to develop assets for the show.

Mumbai Area, India

• Surfacing and modeling characters / props / set dressings / sets for shows.
• Look development of sets/props/ and character costumes
• Working closely with asset and Surfacing lead to achieving the expected look of an asset.