Robert Buchmann Email & Phone Number

Stockholm, Stockholm County, Sweden

• Warner Bros. Discovery, a premier global media and entertainment company, offers audiences the world's most differentiated and complete portfolio of content, brands and franchises across television, film, streaming and.
• Leadership for Rights management teams based in Stockholm and Prague in order to ensure efficient and meaningful processes.
• Close collaboration with the Acquisitions teams across Europe and support in different projects as well as expansion to new markets and launches of new streaming service offerings.
• My teams of experts administer the rights management system, managing key rights data such as program rights and licensing agreements for multiple European territories.
• Leading the administration of the budget as well as being a key contact for the Global Supply Chain and Materials and Localisation teams.
• Coordination across teams and regions with regards to licensing rights. Working hand in hand with the Acquisitions team for MAX EMEA & HBO Europe, as well as with Finance and Legal teams.

Stockholm, Sweden

• STIM is a non-profit member organisation tasked with ensuring that its more than 90,000 affiliated rightsholders and music publishers get paid when their music is used. As Head of Distribution (Swedish: Chef Fördelning.
• Royalty distributions (200 Million EUR / year): Responsible for Stims enitre royalty distribution process including areas such as Online DSPs (Spotify, Youtube, Facebook, TikTok etc), VOD (Netflix, Viaplay, Cmore, HBO.
• Leadership: Engaging, coaching and developing the distribution team which includes Compliance, Copyright and Controlling.
• IT project owner for various IT change projects such as ICE Cube (future state of the art copyright system) and a new royalty distribution system (in house built).
• Operational Leadership Group representative.
• Process improvement in various areas such as recording metadata (ISRC) or backclaim processes.

Stockholm, Sweden

• As Head of Copyright these were my main responsibilities:
• ICE copyright database: Ensuring that multi-territorial copyright data is maintained ahead of Stims distribution process. Service Demand Manager for relevant services provided by various Copyright teams based in Berlin.
• ICE Data Policy: ICE' Berlin based team of Copyright experts specialise in consolidating incoming copyright data from multiple sources to provide a single source of the truth for the industry. As a co-author to the ICE.
• ICE Cube: Subject matter expert in the development of the future state of the art copyright system ICE Cube.
• Budgeting and forecasting for Copyright Services.

Stockholm, Sweden

• About ICEICE is a world-class service centre for the global management of copyright. We offer a professional, trustworthy and efficient service which enables music societies to manage copyright and helps organisations.
• Ensuring that the Copyright services are delivered in accordance with the customer agreements (SLA´s).
• Actively working with colleagues and customers to provide support in the goal achievement.
• Engaging, coaching and developing a team of 20 copyright officers.
• Recommending and managing improvements to services and performance.
• Collating and providing data / analysis as required.

Stockholm, Sweden

• As a Copyright Officer these were my main responsibilities:
• Processing and updating copyright data as required by ICE to deliver servicelevels to customers and thereby ensuring data is updated for all relevant territories to deliver the service effectively to meet the.
• Responsible for ensuring data quality to SLA targets in a timely efficient manner and responsible for delivering quantities according to SLA targets (productivity).
• Accountable for following ICE processes and business rules.
• Responsible for resolving and responding to copyright queries raised by customers with special expertise in counterclaim queries and the conflict resolution process.

The Polar Music Prize is one of the most prestigiousand unique music prizes in the world, crossing over musical boundaries and awarded toindividuals, groups and institutions in recognition of exceptional achievements. As a Social Media Manager I develop an overall Web 2.0 strategy for the Polar Music Prize.

Developing the Web 2.0 presence of Svensk Musik and promoting the Creators Conference (10th of March 2010, Stockholm, Sweden) with social media. The purpose of the Conference is to discuss: How to provide widespread, affordable access to content for the public and to encourage a dynamic creative culture, while returning value to the creators. We want to.

international promotion, social media marketing, A&R and label management, developement of Playground Music Scandinavias blog (Wordpress, html), new digital music enviroment strategy, legal consulting during registration process with collecting societies

Establishing the Web 2.0 presence of STIM - The Swedish Performing Rights Society (Facebook, Twitter, Linkedin, Web 2.0 widgets on STIMs hompage) and communicating the STIM Music Expo 2009 to social networks. Developing an overall Web 2.0 strategy for STIM in correspondence with STIMs goals, joining online discussion forums on copyright issues in order to.

Customer support, cash point

Musicjournalism, interviews and reviews, image editing with Adobe Photoshop CS4, German-English translation work, database administration, Filemaker, customer service

Magister Iuris, Intellectual Property Law

Informationsbehandling Med Sql

Master Of Law, Intellectual Property Law, Ec Competition Law, Comparative Law, Introduction To Swedish Law

Diploma, Advanced Business Leadership Program

Att leda med insikt - en träning i kommunikation, mod och ledarskap