- Project costs against client forward schedules, working with clients to gather key reference materials and CAD information, and proactively advise of budget variations as required from cost of sale allocations.- Closely working with Client Services, Producers and Project Managers to clearly communicate key milestones and potential risks for project deliveries- Manage all incoming CAD requirements from clients for internal processing, librarying and distribution to MAT members- Instrumental in the development of the Master Asset Proof Process (MAPP). This collaboration was with a high profile client and designed for improved quality, timing and workflow of Master Asset review and client approvals. Since inception MAPP has been significant in reducing rework across multiple departments- Manage team requirements for process and workflow improvements for tooling adjustments to deliver efficiently, productively and with cost effectiveness

I have a passion for all areas of Digital Media Creation. I cover everything from corporate videos, promos, broadcasts, events, documentaries, sports, news and spots for social media. My experience includes project management, video editing, motion graphics and camerawork in fast-paced environments delivering to tight deadlines for national and international clients. I have provided accurate and swift client deliveries, edited and encoded more productions than years I've been alive, whipped up all manner of motion graphics from leader-boards to iPhone App launchers, filmed sports, corporate videos, film pilots and promos all over the world, and captured some of the nicest scenes and locations through photography.

I raced in the NSW State Motor Sport Championships in Australia. While I may not the best or fastest one race driver in history, I learnt how to put a solid Championship campaign together getting the most out of myself and a well underpowered car, proving I have what it takes so put up a fight.I constantly improved my abilities and knowledge to be an ever consistent finisher, while being as competitive as we can with the limited resources I had available, and importantly to always race fairly.CHAMPIONSHIP RESULTS:2010 - 2nd. Voted Most Improved Driver 2010.2009 - 5th Outright. 2nd in B Division.2008 - 19th.2007 - 20th.

I maintained an overview of the Models department schedule to manage resource requirements, working with VFX Producers, Production Managers and central production to align resource plans and achieve key targets in a timely manner within budgetary constraints.Worked with a team of highly talented artists and production crew across inter department collaboration throughout the VFX pipeline. My responsibilities included interviewing, hiring, resource planning, scheduling, project scenarios, and managing crew well-being through performance reviews.Projects were always running concurrently, at our peak overseeing 16 x concurrent projects of varying sizes and durations with a multi-skilled crew of up to 70 x artists.I worked closely with Models HoD to ensure projects were resourced appropriately to achieve success with aggressive schedules whilst ensuring crew well-being remained a high priority.Projects I've overseen the delivery of while in the role were for Theatrical release and straight to streaming services:(Some cannot be listed due to confidentiality until their release)Avatar2 (Due 2021)MulanJungle CruiseLady and the TrampGemini ManMouse Guard (film pitch only)Avengers: EndgameGame of Thrones (TV Series) - Seasons 7 & 8 - HBOThe Umbrella Academy (TV Series) Season 1 - NetflixAlita Battle AngelMortal Engines (The team won a VES Award for Outstanding Model in a Photoreal or Animated Project)Ad AstraAvengers: Infinity War (The team won a VES Award for Outstanding Animated Character in a Photoreal Feature)RampageAnimal World - NetflixMaze Runner: The Death CureDawn of the Planet of the Apes & War for the Planet of the ApesJustice LeagueGuardians of the Galaxy Vol. 2Pete's DragonValérian and the City of a Thousand PlanetsThe BFG (Big Friendly Giant)The Jungle Book (Jon Favreau version)Independence Day ResurgenceSpectral - NetflixCentral Intelligence AgencyKrampusAlvin and the Chipmunks

As Production Manager I would work closely with the Department Manager for crew allocations, as well as liaising with Show Production and other Department Production to ensure our task schedules and deadlines were communicated clearly. I would also provide concise notes for crew tasks and ensure their schedules were maintained and targets communicated.Fast and Furious 7The Hobbit: The Battle of the Five Armies

As a Department Coordinator I was responsible for crew task assignments, detailed dailies note taking and crew schedules to name just a few tasks.The Hobbit: The Desolation of Smaug

I created the concept for a Hand Paint Card system which contains a Paint and Clean Wipe allowing people to make a hand or foot print on the inside of a beautiful greeting card. The cards are a bright and unique series that turns a card into a lovely keepsake. The cards have attractive designs celebrating areas of life throughout the year with a children’s theme in mind. The result is a Greeting Card where you get to 'Make Your Message a Memory'.

Legend of the Guardians: Owls of Ga'Hoole - Animated Feature- Schedule and manage data flow for Compositing Team for shot delivery- Record and maintain accurate review and progress notes for task allocation- Tracking and database maintenance of Shot Finals to DI- Collecting and verifying shot grademattes for Final Grading

Knowing : Matte Painter/VFX Coordinator : Art DepartmentAustralia : VFX Coordinator : Builds Department/Comp/DeliveriesGuardians of Ga’Hoole (Pre Production) : VFX Coordinator : CG Builds Department

Managed teams across all areas of VFX Production to deliver world class VFX for Feature Films.

Specialised in sports events for Television Broadcast including creating motion graphics and on-board camera operation at events.- Documentaries- Sports Events- Corporate Video