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Classically trained Director with extensive experience in world and local premieres working with play development, devised/ensemble created work, classical theater (Shakespeare/Shaw/Chekhov), and modern theatre focusing on centering the point of view around women and expansive inclusivity.

Acting coachMonologue/Audition TechniqueTroubleshooting

Current Associate Member

Responsible for signing in talent, following up on actors, running the lobbyResponsible for camera operation, uploading tape, filling in to coach actors and run audition room as needed. Commercial.

Responsible for scheduling appointments, availability checks, organizing sessions, taping, organizing and coordinating taped sessions with producers, phones, general office maintenance, related special projects and research. Theatrical.Casting Director, Wonder Girl, SAG Short Thesis Film, dir. Eduardo Ceballos; Responsible for character breakdowns, posting, talent search, audition schedulingRan the auditions/callbacks (video, sides)Casting Director, Jackie the Irish Student Non-SAG Short dir. Jahmar Griffin, Los Angeles Film SchoolResponsible for character breakdowns, posting, talent search, audition schedulingRan the auditions (video, sides)Casting Director, Dead Christmas Independent Non-SAG Short dir. Steve Burns, Bloomington INResponsible for character breakdowns, posting, talent search, audition schedulingRan the auditions (video, sides)Casting Director, Coda, short student film, dir. Andrew Behringer, Bloomington INResponsible for character breakdowns, posting, talent search, audition schedulingRan the auditions (video, sides)Winner Best Drama at the Indiana University Campus Movie Fest Finale

Solo instructor for Acting I for Non-Majors and Acting 2 for MajorsInstructed average class size of 18 studentsResponsible for syllabus, academic planning, exams, gradingEducated students in ensemble building, basic and advanced scene study, text work, solo performance, preparation, film and television performance workshopsUtilized Meisner, Stanislavsky, Viewpoints and other techniques

Responsible for problem solving, note taking, support tasks as needed

Grew production seasons of two to four shows per yearManaged audience development, publicity, and grant writing, obtaining and managing full Federal Not-for-Profit status within three years of creationResponsible for casting: posting, recruitment for talent and specialty acts, auditions, hiring decisions and negotiating contracts for both talent, venues, marketing, and community supportDirected majority of the season, including new and commissioned worksSpearheaded outreach development initiatives to communitiesGrew ongoing relationships for annual projects Letters/X and free Shakespeare in the park in their 5th and 6th season respectivelyAchieved critical acclaim on multiple productionsMaintained financial solvency

Managed active case load of 240 claims, both ongoing maintenance and initial liability decisionManaged heavy direct customer service by both phone and written correspondenceInterpreted contractsCreated a communication bridge between employer, employee and Union liaisonReviewed peer benefit calculations, as well as overpayment and underpayment calculations

Managed active case load of 140 claims, both initial liability and ongoingMade vocational rehabilitation decisionsManaged heavy phone and written correspondenceInterpreted contracts