Sam Humphries Email & Phone Number

I immersed myself in Marvel’s vast universe, crafting stories for iconic franchises like Avengers, X-Men, and Guardians of the Galaxy. As showrunner for Black Vortex, I guided the cosmic crossover event that brought these worlds together. My narrative for the Marvel Contest of Champions became the backbone for the mobile game, which garnered over 215.

Taking on Harley Quinn was like riding a bucking bronco—chaos and humor, grief and grit, all rolled into one. I took her through a two-and-a-half-year run, injecting emotional depth as she grappled with loss. Meanwhile, I revitalized Green Lanterns during DC Rebirth, introducing new characters and weaving them into the wider DC Universe’s mythology. Across.

I took a deep dive into the world of prose, co-writing The Youngbloods trilogy for Audible Originals. The dark horror-comedy tackled a twisted family dynamic as I worked alongside Gwenda Bond and Kami Garcia to create a narrative that delivered both scares and laughs. Crafting audio-first stories came with unique challenges, but I embraced the medium’s.

I brought original stories and beloved franchises like Power Rangers and Firefly to life. Balancing fresh takes with respect for existing lore, I led projects from concept to launch, crafting narratives that resonated with fans and stakeholders alike.

When Pocket FM set out to introduce its audio dramas to Western listeners, I was brought in to transform the stories from their original cultural contexts. From reworking pacing to shifting entire narratives, I helped tailor content to new audiences while keeping it compelling. Working across thousands of episodes, I collaborated with leadership and.

MetaLabz had the spark of an idea, and I turned it into a fully realized world for Kush Kriminals. I developed the story bible, crafted detailed histories and character arcs, and built out the lore. Collaborating on every front, I wrote and co-produced a podcast, guided lore across media, and laid out a phased plan for long-term expansion that positioned.

Hosting DC Daily was a whirlwind, and I brought energy to the show’s 450 episodes, covering everything from comics to live events. I engaged fans with humor, conducted celebrity interviews, and shaped the show’s tone, helping it define the DC Universe streaming platform and resonate with its audience.

I co-created Goliath Girls, launching it as one of Comixology Originals’ debut titles at San Diego Comic-Con. By releasing it simultaneously in English and Japanese, I embraced cross-cultural distribution, pushing boundaries and making digital comics more inclusive. Working closely with artists and translators, I ensured the story resonated across markets.

I built worlds from the ground up, co-creating titles like Blackbird and Citizen Jack. From scripting to production, I oversaw every step and traveled internationally for promotions, engaging with readers and building an audience.

Drawing on my MySpace experience, I helped clients stand out online, crafting captivating strategies that turned basic digital approaches into viral sensations. I guided smaller brands in identifying goals, executing campaigns, and carving out a meaningful presence in a crowded digital landscape.

I co-hosted Meltdown’s flagship podcast, injecting humor and energy into over 100 episodes. With big-name guests and lively pop culture discussions, we grew the show’s reach and strengthened Meltdown’s visibility.

Alongside my colleagues, I worked to make MySpace the coolest place on the web and the biggest website in the world, spearheading programs like Black Curtain Screenings that boosted engagement and traffic. Partnering with major studios and coordinating with internal teams, I brought creative ideas to life, transforming them into high-impact programs that.

Alongside my colleagues, I worked to make MySpace the coolest place on the web and the biggest website in the world, spearheading programs like Black Curtain Screenings that boosted engagement and traffic. Partnering with major studios and coordinating with internal teams, I brought creative ideas to life, transforming them into high-impact programs that.

Interactive Media Design

Education record

Education record