Designing Keyboard Maestro and SoundFlow macros for Stream Deck used to automate Pro Tools recording/editing/mixing/mastering workflowsProviding consulting to in-house engineers on integration/implementation and optimizing workflowsEquipment repair/maintenance/troubleshooting (preamps, EQs, compressors, large format consoles, interfaces, word clocks, patchbays, computers, software, cabling)Tape machine alignment

Speccing out, installing, and configuring audio equipment and computers in VO/ADR record rooms and machine roomsProviding consulting to in-house engineers to optimize workflowsCalibrating speakers and streamlining signal flowTroubleshooting technical issues

Speccing out, installing, and configuring audio equipment and computers in mix stages and ADR record roomsProviding consulting to in-house engineers to optimize workflowsCalibrating speakers and streamlining signal flowTroubleshooting technical issues

Configuring/routing Avid S6, MTRX, RMU, Pro Tools, and Dante devices using Dante Controller and DADman software for Atmos mix stagesInstalling/configuring hardware/software for ADR stage, and music/sound design recording studioProviding Atmos consulting and training on loudness specs, latest software/hardware, required deliverables, as well as procedures for QCing on consumer systems for both music and film.

Designing and wiring/configuring ADR stage and Dolby Atmos mix stagesSpeccing out equipment, obtaining quotes from vendors and negotiating to meet budgetsCustom wiring including soldering cables and patch panels, pulling cable through conduitCoordinating with clients and acting as a studio representative for 4-wall sessionsCoordinating with IT department for installation/configuration/testing/troubleshooting ofDolby Atmos mix stages and ADR stages as well as machine rooms and server roomsConfiguring Avid S6, MTRX, RMU, Pro Tools, Dante Networks, and other related hardware/softwarefor Dolby Atmos mix stages and ADR record rooms

Mixing/upmixing various features from different channel configurations to Atmos (including associated tech work required to configure Avid S6, Dolby RMU, QSYS systems, Dante networks, MADI systems, and related software/hardware) e.g. Halloween 1-5 (starting with mono or LCRS sources), Child’s Play 1-3, Master GardenerUsing advanced DSP tools to remove music from stereo printmasters and isolate clean dialog tracks (Post Haste’s trademarked “Music Slayer” process) e.g. Buddy Holly and Whitney Houston hologram concerts (Base Hologram), Freaks and Geeks, Malcolm in the Middle, Lizzie McGuire, Dawson’s CreekEditing and manual iZotope RX/Spectralayers cleanupConfiguring hardware and software (equipment selection, installation/integration, wiring, routing, templates, testing) on mix stages and in edit bays for Atmos, DTS:X, 7.1, 5.1, and 2.0 work, including redesign of stagesOffering engineering support to mixers, operators, and engineers from both in and out of houseTroubleshooting complex technical issues and providing documentation and educational write-ups to help staff operate equipment more efficientlyTuning mix stages to SMPTE standards using Smaart and QSYS Designer softwareDesigning and building analog audio circuits for tasks such as interfacing between pro and consumer gear or eliminating noise/hum

Manual iZotope RX cleanup of dialog recordings for video gamese.g., Call of Duty Modern Warfare IIIDrawing detailed clip gain lines to level out each syllable of each lineDeveloping effi cient techniques to improve the workflowsUsing iPad and Apple Pencil to draw clip gain in Pro ToolsDesigning/testing/troubleshooting/optimizing Keyboard Maestro macros for renaming hundredsof clips in a Pro Tools session based on an Excel spreadsheet, as well as sending audio back and forth between Pro Tools and iZotope RX and processing with various tools (Stream Deck buttons as triggers)

Analyzing electronic schematics and malfunctioning audio equipment to identify issues and troubleshootDesoldering and replacing malfunctioning components in large format consoles, compressors, equalizers based on variable state filters, microphone preamplifiers, and linear power suppliesTesting each unit after repair to ensure proper functionality (filter response, noise floor, gain)

Repair and replace capacitors in a vintage Trident A Range recording console that used to belong to Elliott Smith

Recording live sessions of bands for broadcast and video. Editing, mixing, and mastering audio recordings.Scheduling and booking talent. Running live sound for outdoor music festivalNotable acts: Cloud Nothings, Mild High Club, Corners, The Breathing Effect, Modern Baseball, Young Jesus, Blowout, GRMLN, No Parents, Wand, Morgan Delt, Twin Peaks, High Functioning Flesh, Beverly

Maintaining the university's recording studios (repairing, troubleshooting, rewiring, cleaning equipment), repairing modules on a vintage Trident 80B console. Installing new speakers, BSS DSP crossovers, and amplifiers in post production studios and tuning them according to SMPTE standards using HiQnet Audio Architect software. This task included building all the XLR, TRS, and Phoenix cables necessary to connect these units. The job also involves helping students reserve studios and recording equipment for school projects.

Play films in various formats for film classes including: DVD, Blu-Ray, DCP, 35mm film, .mov files on a Fuze server. Make sure playback happens smoothly, fix masking, ensure proper audio playback levels and routing.

Training Film Production and Recording Arts students on the operation of Marantz portable recorders and Pro Tools software. Helping with sound design projects and troubleshooting when necessary. Introducing students to the workflow and wiring of the university's recording studios.

Helping set up and break down live sound equipment for concerts in Philadelphia on Penn's campus. Miking diverse ensembles and troubleshooting when necessary, tidying up long cable runs, keeping equipment organized while ensuring a smooth performance. Heavy lifting and quick thinking was required.

Teaching guitar, drums, bass, and piano to kids ages 8-15. Helping with original songwriting, mixing live performances, playing parts on guitar/drums/bass at performances, learning songs by ear on various instruments. Supervising campers and updating parents on their child's musical progress. On some occasions, serving as a member of the backing band for student recitals.

Managed checkout and return of audio equipment rentals for film students as well as maintained the university's recording studios. The position involved filing and organizing order forms and studio booking forms as well as helping students with sound design projects and answering questions about Pro Tools operation. Employees were also required to repair faulty equipment, clean studios, and take inventory of pro audio gear.

Playing guitar and drums for audio engineers to get levels and adjust sounds, organizing cable runs, maintaining a clean working environment, providing support to musicians and audio engineers. I had the privilege of playing a few small parts on guitar and drums that appeared on the kids' TV show "Yo Gabba Gabba!"www.mattermusic.com