Currently serve on the Board of TopFan, a successful tech startup specializing in building white-label community engagement apps and OTT platforms for musicians, sports teams, digital creators, non-profits, and entertainment studios.

• Managed all aspects of production for Marvel’s Luke Cage, The Punisher, Jessica Jones, and Cloak & Dagger including creative meetings such as: Concept, Production, Tone, and the various departmental meetings. • Collaborated with and served as a liaison for communication between Executive Producers/Showrunners and Studio/Network executives. • Evaluated and hired Writers, Directors, and Key Department Heads for series production.• Managed the day-to-day between Marvel Television and Network partners Netflix and Freeform.• Provided and compiled creative notes on pitches, bibles, outlines, drafts, pre-viz, and cuts.• Episodic Post-Production duties - sound/music/VFX spotting sessions, color timing, and final playback mixes. • Communicated Marvel priorities and guided show personnel to ensure integration and attention to the needs and inputs of various key stakeholders (Marvel Publishing, Consumer Products, Legal & IP)• Worked cross functionally with Marketing and Publicity departments on series campaigns.• Worked cross functionally with Consumer Products division on development of show-based merchandise.

• Collaborated on the development on all Shore Z’s projects, including taking writer meetings, developing pitches, and providing notes at all stages – pitch, story doc, outlines, drafts, cuts.• Utilized creativity to generate and present new ideas for development.• Participated in Studio and Network pitches to senior leadership at various entertainment companies.• Identified, tracked, and maintained relationships with writers for staffing and development.• Created and maintained Shore Z’s development grids and submissions database along with all writer and director lists.

• Heavily involved with the development of The Rockford Files pilot including general research, breaking down old episodes, generating story ideas for the pilot script, and participating in research meetings with Private Investigators and Stephen J Cannell.• Served as eyes and ears in various capacities on behalf of Executive Producer and Showrunner David Shore• Involved in all prep, including casting sessions, studio/network tests, and all production meetings. Covered set for the duration of production and was in all editing sessions.

• Managed the Writers’ office, including overseeing three assistants and the writer’s PA.• Developed script synopses and medical breakdowns of all episodes for publicity.• Handled charity requests from VIP's and outside organizations; including coordinating set visits and gathering cast signatures for photos, scripts, and other swag.