Wesley C. Email & Phone Number

Culver City, Ca, Us

- Love, Death, and Robots (2019-2022)- Terminator: Dark Fate (2019)- Led implementation of ACES at facility- Led implementation of plate and color pipeline

Culver City

- Thor: Ragnarok (Feature) - Compositing supervisor for ship interior shots on rainbow bridge fight sequence- Guardians of the Galaxy Mission: Breakout! (Ride) (Nominated for "Best Visual Effects in a Special Venue Project" VES Award, 2018). Designed procedural multi-angle stitching system used in ride.- New Legends Will Rise - Destiny 2 Live action trailer (Commercial) (Nominated for "Outstanding Compositing in a Photoreal Commercial" VES Award, 2018). Set up audio-driven face puppeting system, matte painting pipeline, and compositing tools for the show.- Nissan Rogue: Battle Tested (Commercial)

Vancouver, Bc

Beauty and the Beast (Feature, 2017) - Senior Compositor / Sequence Look LeadDeadpool (Feature, 2016) - Lead Compositor

Greater Los Angeles Area

VR and flat senior compositing work in Nuke 8 and Nuke 9, programming work in Python, PHP, SQL, Javascript and HTML.

Playa Vista, Ca

Furious 7 (Feature, 2015) - Digital CompositorBlackhat (Feature, 2015) - Digital CompositorHalo: Master Chief Collection (Commercial, 2014) - Digital CompositorX-Men: Days of Future Past (Feature, 2014) - Digital Compositor(Movie nominated for 2014 Academy Award for Visual Effects)Maleficent (Feature, 2014) - Digital CompositorIron Man 3 (Feature, 2013) - Digital Compositor (Movie nominated for 2013 Academy Award for Visual Effects) (Sequence nominated for 2014 VES Awards Outstanding Compositing in a Feature Motion Picture -- Barrel of Monkeys Sequence)Real Steel (Feature, 2011) - Digital Compositor (Movie nominated for 2011 Academy Award for Visual Effects)

Acted as technical liason between DD and the Stereo Conversion house, rebuilding composites to ensure the conversion artists had the assets they needed while maintaining the confidentiality of DD's proprietary software and methodologies.

Santa Monica, Ca

Sense8, Season 1 (TV Show, 2015) - Digital CompositorHouse of Cards, Season 3 (TV Show, 2015) - Digital CompositorHercules (Feature, 2014) - Digital CompositorGlass Chin (Feature, 2014) - Digital CompositorTien Chua (Feature, 2013) - Digital CompositorCreated image and asset management software in Python, SQL, and PHP with Nuke and Deadline integration.

London Fields (Feature, 2015) - Digital CompositorLexus - December to Remember (Commercial, 2014) - Digital CompositorApple - Echoes (Commercial, 2014) - Concept CompositingTarget - Annie Collection (Commercial, 2014) - Lead CompositorExxon Mobil - Energy Lives Here (Commercial, 2014) - CompositorExpendables 3 (Feature, 2014) - Digital CompositorUnder Armour: Cold Gear Infrared (Commercial, 2014) - Digital CompositorHewlett-Packard Ad Campaign (Commercial 2013) - Digital CompositorCapital Cities - Safe and Sound (Music Video, 2013) - Digital Compositor (winner: 2013 MTV VMA for best Visual Effects) (nominated: 2013 Grammy for best music video)

Los Angeles, Ca

Led a small freelance VFX team for several projects, including on-set supervision and coordinating with directors, stunt teams, and special effects departments for the most realistic, cost-efficient solutions for high production value sequences in independent films.

Los Angeles, Ca

Developing film production pipeline tools, including an industry social network and AI film management system.Most recently my work has involved designing a workflow and version management system for Arasian's VFX activities, mirroring the functionality of many of the industry's task management systems within my own frameworks.