Mauricio Revuelta Cuauhtli Email & Phone Number

Ho Chi Minh City, Vietnam

I am the supervisor of the rigging area, managing a team of 16 artists on 6-10 simultaneous projects. I constantly communicate with clients and other departments to ensure the project requirements are better matched with the strengths of each artist while improving their skills through new fun and engaging challenges. At the same time, my job is to review.

Ho Chi Minh City, Vietnam

I am the supervisor of the rigging area, managing a team of 20 artists on 6-10 simultaneous projects. I have constant communication with clients and other departments to make sure the project requirements are better matched with the strengths of each artist while improving their own skills through new fun and engaging challenges.

Ho Chi Minh City, Vietnam

I was in charge of supervising the work of 10 riggers and I had to delegate tasks based on project goals and individual proficiency. I had constant communication with clients, to assess the workflow provided and make sure the documentation was clear for all the artists involved.

Mexico City Area, Mexico

I was in charge of evaluating and testing the models of the projects developed at the studio, to be production ready to go on the next stage of the pipeline. I also create and update the rigs used for animation classes.

Mexico

As a Coordinator, I was in charge of evaluating and updating the syllabus for the 3D Bachelor program, matching the alumni expectations and the industry professional standards. As a professor, I taught different subjects such as 3D Foundations and Pipeline, Polygonal Modeling, Rigging for animation, Lighting and Rendering, Textures and Environment Theory.

Mexico

Cardboard Wings is an animated short film co directed by Javier Avendaño (ESCENA'S Teacher) and myself. I adapted the original story written by Javier, first conceived as a children's book, to obtain a suitable script to be produced in 3D animation. Along the entire project I took on many roles; Director, Rigging Supervisor (and Rigger), Line Producer.

Mexico

At EAS (Escena Animation Studio) I worked as a line producer in the teaser for a feature film completely developed with open source software and with ESCENA's alumni support. My job was to manage the tasks and accommodate the resources, tracking times and deliveries, and give feedback to the artists before completing an asset. I was also involved in the.

Tokyo, Japan

I worked as a Layout Artist for the Netflix TV series Cyborg 009, using the storyboard provided by the client. My main responsibility was to translate the camera work and timing from the 2D board, into a 3D environment.

Tokyo, Japan

I worked skinning clothes to match previously rigged characters for previsualisation to be used in the Square Enix FFXV feature film.

Tokyo, Japan

I supervised a team working on (3D scan based) crowds facial modeling and textures. I was managing tasks and meeting with the clients from Square Enix. Due to the quality achieved by the team on crowds, I was assigned to generate the face and hands for one of the main characters (Crowe) on the FFXV movie.

Tokyo, Japan

I worked as a rigger for a Netflix TV series (Kong, king of the apes) doing facial rigging for main and secondary characters. On the 5th month I joined the layout team for the same TV series.

Mexico

As a 3D Generalist, I taught different subjects such as 3D Foundations, CG Workflow / Pipeline and Polygonal Modeling.

Mexico

I developed tools and a custom Auto Rigger using Mel Scripting, which enabled the team to optimize our workflow and avoid human error. I was also assigned other tasks such as Prop and Creature Rigging using Softimage, UV Layout for Textures, Prop Modeling and Script Breakdown for production.

Digital Modeling And Animation Diploma, Gc Artist; Rigger

Activities and Societies: Blacklight

Bachelor'S Degree In Graphic Design, Audiovisual Media