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West End theatres to dim their lights for Prunella Scales The Stage

Interim managers appointed to assess 'viability' of Seven Dials Playhouse The Stage

An Tobar and Mull Theatre launches scheme to support freelancers The Stage

Scottish theatre leaders: collaborate more to maximise funding potential The Stage

Kindling review at Park Theatre: Lacks substance The Stage

Theatre news including the latest production announcements The Stage

Hedda review at the Orange Tree Theatre, London: fresh and thought-provoking The Stage

Serbia's cultural censorship battle must not go under-the-radar The Stage

How London theatres are tackling youth engagement in straitened times The Stage

Tilda Swinton and Gary Oldman lead Royal Court’s 70th anniversary programme The Stage

Jeremy Corbyn to appear in Wicked-inspired pantomime The Stage

Lyn Gardner: Celebrity casting isn't going to kill theatre – give audiences more credit The Stage

Broadway’s Shubert Organization returns to London as 50% owner of Olympia Theatre The Stage

Production company behind Vicky Featherstone and Robert Icke shows winds up The Stage

A Piano Full of Feathers at the Perth Theatre: old-school charm The Stage

Inequality between employees and freelancers is laid bare at theatre conferences The Stage

This Little Earth review at the Arcola Theatre, London: unconvincing The Stage

Shifting gear: how a lesbian-run garage sparked a musical The Stage

Black British Theatre Awards 2025: winners in full The Stage

Rachel Zegler and Ben Platt to star in The Last Five Years in West End The Stage

Most theatre freelancers can’t afford to reject work – this week in Your Views The Stage

Tabard Theatre crowned London Pub Theatre of the Year 2025 The Stage

The Stage Awards The Stage

Ian McKellen and Alan Cumming to feature in LGBTQIA+ festival at Pitlochry The Stage

Disney Theatrical Group’s Thomas Schumacher to step down The Stage

Richard Jordan on how anniversary concerts celebrate connection The Stage

My favourite play: Vicki Mortimer The Stage

Lyn Gardner on how theatre can reconnect with local audiences The Stage

Director Milo Rau’s work blocked from Belgrade International Theatre Festival The Stage

Director Katie Mitchell: I’m leaving opera because of misogyny The Stage

Future of Theatre Conference The Stage

The New York Times’ ‘reassignment’ of expert arts critics signals a worrying trend The Stage

Battersea Arts Centre to run LIFT in ‘bold step’ for international theatre The Stage

Frankenstein review at St Nicolas' Church, Guildford The Stage

Lyn Gardner on how theatre's power structures enable abuse The Stage

Black Sheep by curious directive: tender drama about farming The Stage

Kate Maltby: Adopting a ‘no seat should be left lonely’ policy stigmatises solo theatregoing The Stage

Theatre503 shifts producing model with first season from Anthony Simpson-Pike The Stage

Natasha Tripney on the return of international theatre to UK The Stage

David Shearing on design-led theatre The Stage

Troubadour Theatres to expand with 3,000-capacity Greenwich venue The Stage

Richard Jordan: Fringe festivals can offer crucial artistic development – so why don’t more get it right? The Stage

Lyn Gardner on West End ticket prices The Stage

Yolanda Mercy the invisible labour burning out artists The Stage

Fiona Allan on the crisis in theatre governance The Stage

The Stage Debut Awards - The Stage Debut Awards 2025 - In association with Netflix. The Stage

My favourite play: Nicholas Hytner The Stage

Five years on from lockdown: theatre figures on Coronavirus' lasting impact The Stage

Freya Lewis: ‘Acting became my source of processing emotions; it was my therapy’ The Stage

Speaking to the nation: why local theatre is having its moment The Stage

Andrew Garfield stars as Romeo – 20 years ago in The Stage The Stage

Evita's balcony scene; A Cuckoo in the Nest's 100th birthday – Your Views The Stage

My favourite play: Don Black The Stage

Tanisha Spring: 'I had no plans to work in theatre' The Stage

My favourite play: Scarlett Strallen The Stage

'Devolved National Theatre' wins Future of Theatre Big Ideas vote The Stage

David Benedict: How long should a play be? Probably not 45 minutes The Stage

Hercules review at Theatre Royal Drury Lane: cheerful nonsense The Stage

Indhu Rubasingham's Future of Theatre speech in full The Stage

Top 10 picks from BEAM2025 musical theatre showcase The Stage

UK Theatre Awards 2025: nominations in full The Stage

Alistair Smith on preserving the joy of working in theatre The Stage

Lansbury’s performance in Gypsy is legendary – this week in your views The Stage

Victoria Broom on lesbian representation The Stage

David Benedict on Jamie Lloyd’s Evita The Stage

The Green Room: Acting – what part of the job do you enjoy the most? The Stage

My favourite play: Mel Kenyon The Stage

Hiatus of plays by white men among Big Ideas at Future of Theatre conference The Stage

Mamma Mia! The Party: you can dance, you can dine... you can be in the scene The Stage

Ian McKellen’s favourite play is an RSC classic – this week in your views The Stage

7,500 issues: Leafing through the remarkable history of The Stage The Stage

Rob Halliday on the cost of bulkier lighting cables The Stage

Bonnie’s words of wisdom – 40 years ago in The Stage The Stage

Blackpool lights up seaside – 50 years ago in The Stage The Stage

Lack of drama teachers and axed bursaries are ‘worrying’, leaders warn The Stage

Kenneth Branagh in Henry V at the Barbican – 40 years ago in The Stage The Stage

You Me Bum Bum Train and what Jeff Bezos’ visit means – this week in your views The Stage

Punchdrunk's Felix Barrett: AI could provide a bedrock of support for shows The Stage

My favourite play: Robert Glenister The Stage

Hope Mill Theatre launches musical theatre degree course The Stage

The Reckoning at Arcola Theatre: claustrophobic and unsettling The Stage

My favourite play: Lindsay Duncan The Stage

Obituary: Roger Foss – actor, writer and critic The Stage

Peggy Ashcroft in Beckett at the National Theatre – 50 years ago in The Stage The Stage

Bernard Delfont drives theatre boom – 60 years ago in The Stage The Stage

Acting of biblical proportions – 40 years ago in The Stage The Stage

Apprenticeships in theatre: what are the options? The Stage

Editor's View: The art of show-stopping should not be underestimated The Stage

West End and Broadway hit to receive first London production since 1921 The Stage

Netflix joins The Stage Debut Awards 2025 as headline sponsor The Stage

Benjamin Button star John Dagleish: West End is saturated with 'rigid' film adaptations The Stage

Lyn Gardner: Shows change. A critic’s opinion on them can – and should – change, too The Stage

Erica Whyman: Theatre in-fighting is creating a hostile working environment The Stage

David Benedict on theatremakers breaking musical rules The Stage

My favourite play: Daniel Evans The Stage

Green Room: What’s your experience of show stops? The Stage

Miranda Cromwell: Being a director is not a viable career any more The Stage

Andrzej Lukowski: With Bluesky on the horizon, is the sun going down on ‘Theatre Twitter’? The Stage

Romola Garai: The Years’ success can open up West End to more women’s stories The Stage

New production company to bring Conan Doyle and Sally Lindsay series to stage The Stage