Amy Smith Email & Phone Number
@foxtheatre.org
13 phones found area 404, 661, 602, 617, 619, and 702
LinkedIn matched
Who is Amy Smith? Overview
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Amy Smith is listed as Director of Production Operations at The Atlanta Opera, a with 97 employees, based in Atlanta, Georgia, United States. AeroLeads shows a work email signal at foxtheatre.org, phone signal with area code 404, 661, 602, 617, 619, 702, and a matched LinkedIn profile for Amy Smith.
Amy Smith previously worked as Production Manager at The Atlanta Opera and General Manager at Impact Museums. Amy Smith holds Bachelor Of Fine Arts, Arts Management from Emerson College.
Email format at The Atlanta Opera
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AeroLeads found 1 current-domain work email signal for Amy Smith. Compare company email patterns before reaching out.
About Amy Smith
Experienced people and project manager with 25 years’ success in the arts looking to apply cumulatived skills and knowledge in a new context. Thrive in a fast-paced environment working as part of a team to achieve a shared goal. Central theme is acting as a liaison between multiple groups internally, externally, cross-functionally and across organizational levels. A perpetually curious individual, quick to learn and driven to make things happen. Lead by observing, asking insightful questions, listening and making decisions to move operations forward efficiently and within budget.
Listed skills include Stage Management, Theatre, Production Management, Theatrical Production, and 11 others.
Amy Smith's current company
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Amy Smith work experience
A career timeline built from the work history available for this profile.
Production Manager
General Manager
*I opened the Atlanta venue of Impact Museums venue network, a highly technical immersive experience and event space. We successfully launched the Disney Immersive Experience which saw approximately 3,000 guests a week. From the time I started until opening, 3 weeks, I assisted in the staffing and training of a team of 5 full time and 70+ part time employees. * I led the training of all staff from point of hire and created a training manual for the onboarding process.* I managed staff on all levels including disciplinary oversight, training, payroll, scheduling, and daily assignments. Together we developed an amazing immersive experience for our guests.*My role allowed me to use my strong knowledge of process development to launch key operations for ticketing, retail, food and beverage, guest experience, building management, and show operations. * I oversaw operating budgets for labor, utilities, supplies, and equipment, as well as daily reporting. * I worked to develop a system for inventory of consumables and supplies. This did not exist upon opening.* I developed relationships with external vendors, in order to secure contracts and managed services.Unfortunately the venue network had to close due to larger issues but I greatly valued my time there, my team, and the lessons learned.
Director Of Production
The Fox Theatre is one of the busiest roadhouses hosting 250 shows and half a million visitors a year. - nominated for Theatre of the Year by Billboard and Pollstar Magazines- Rolling Stone Magazine - one of “The Best Big Rooms in America”. -For the past decade -ranked in the top three theatres in North America for gross ticket sales*During my tenure I oversaw the Production department and the role of liaison between the traveling shows and the building. I achieved excellent outcomes for a variety of event clients through production advance. Efficient, accurate, on time, event development and liaison between their needs and the venue offerings. * I oversaw a team of eight including 2 production managers and 6 union department heads. * As head of the department my role was to negotiate and maintain 3 union labor contracts. I indirectly oversaw the work of up to as many as 100-125 union crew employees per a given event In my time as head, I established a strong working relationship with Union leadership with no grievances filed. Additionally, achieved savings in wage increases and fair work rules . * In addition to shows, I Identified and prioritized capital projects and presented recommendations to executive leadership for approval. I completed projects ranging from $2.5M sound system upgrade over 3 years, loading dock replacement of $425,000 to smaller projects like stage curtains and stage floor. I was also responsible for certain building improvement recommendations for areas such as the lobby, two ballrooms, and exterior needs. I strived for clear communication on every turn to achieve an end result of on-time and in-budget projects.*I developed and utilized multiple communication systems including event calendars, postings, schedules, event documents, invoice records, purchase orders, and union payroll.*As a strong communicator, I interfaced effectively across all levels of the organization from day laborers to senior executives and the board.
Production Manager
Same role as Director but role increased responsibility when title changed to Director
Assistant Production Manager
Orchestra Services Manager
CONTRACT EMPLOYMENT:Supervise 5 summer interns. Oversee all orchestra related needs and set-up and act as the run crew for staging rehearsals.
Production Assistant And Stage Management
• Stage Manager for 3 main stage productions. • Production Coordinator for the 2004-2005 season.
Production Assistant
• Production Assistant for 3 large park events( Disney World Marathon, ESPN weekend, Super Soap weekend).
Assistant Production Manager / Company Manager
• Responsible for booking 2 theater spaces when not in use by the Repertory company. Worked with the booked events to coordinate event needs and staffing. Point person between the client and the building. • As Company Manager, responsibilities included housing and travel for all Repertory company managers hired for rehearsal and performance. Attend to company member needs from distributing of paychecks, setting up company meetings, and housing and travel from arrival to end of contract.
Stage Manager
• Responsibilities included running the show as the acting manager and calling all cues when assigned to that position. Also, running the show from the stage as an assistant and acting onstage manager when assigned to the stage position. Oversee a crew of 20 during performances. Determining stage and equipment maintenance needs. Assist with training plans for performers. Maintenance and distribution of show paperwork. Work as part of a team of five stage managers.
Substitute Stage Manager
• Coverage for the full time management team. Responsibilities included running the show as the acting manager and calling all cues when assigned to that position. Assisting with office duties as assigned.
Production Manager
Stage Management Intern
Stage Operations Intern
Colleagues at The Atlanta Opera
Other employees you can reach at atlantaopera.org. View company contacts for 97 employees →
Sarah Burch Gordon
Colleague at The Atlanta OperaAtlanta, Georgia, United States
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Phil Parsons
Colleague at The Atlanta OperaAthens, Georgia, United States
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Erik Teague
Colleague at The Atlanta OperaArlington, Virginia, United States
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Samuel Itskov
Colleague at The Atlanta OperaAtlanta Metropolitan Area, United States
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Cathy Adams
Colleague at The Atlanta OperaAtlanta, Georgia, United States
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Diana Burns
Colleague at The Atlanta OperaDallas, Georgia, United States
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Hollie Lifshey
Colleague at The Atlanta OperaAtlanta, Georgia, United States
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Katy Gardner
Colleague at The Atlanta OperaAtlanta, Georgia, United States
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Susan Brady
Colleague at The Atlanta OperaKennesaw, Georgia, United States
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Colleen Kane
Colleague at The Atlanta OperaArvada, Colorado, United States
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Amy Smith education
Frequently asked questions about Amy Smith
Quick answers generated from the profile data available on this page.
What company does Amy Smith work for?
Amy Smith works for The Atlanta Opera.
What is Amy Smith's role at The Atlanta Opera?
Amy Smith is listed as Director of Production Operations at The Atlanta Opera.
What is Amy Smith's email address?
AeroLeads has found 1 work email signal at @foxtheatre.org for Amy Smith at The Atlanta Opera.
What is Amy Smith's phone number?
AeroLeads has found 13 phone signal(s) with area code 404, 661, 602, 617, 619, 702 for Amy Smith at The Atlanta Opera.
Where is Amy Smith based?
Amy Smith is based in Atlanta, Georgia, United States while working with The Atlanta Opera.
What companies has Amy Smith worked for?
Amy Smith has worked for The Atlanta Opera, Impact Museums, The Fox Theatre, The Santa Fe Opera, and Mad Cow Theatre.
Who are Amy Smith's colleagues at The Atlanta Opera?
Amy Smith's colleagues at The Atlanta Opera include Sarah Burch Gordon, Phil Parsons, Erik Teague, Samuel Itskov, and Cathy Adams.
How can I contact Amy Smith?
You can use AeroLeads to view verified contact signals for Amy Smith at The Atlanta Opera, including work email, phone, and LinkedIn data when available.
What schools did Amy Smith attend?
Amy Smith holds Bachelor Of Fine Arts, Arts Management from Emerson College.
What skills is Amy Smith known for?
Amy Smith is listed with skills including Stage Management, Theatre, Production Management, Theatrical Production, Event Management, Entertainment, Stage, and Live Events.
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