Redefining content demand metrics in Media & Entertainment by repositioning unlicensed demand as an essential source for data analytics teams. Scaled MUSO from a bootstrapped start-up to a private equity-backed scale-up.

"Expert group analysing emerging and disruptive technologies with potential to impact IP protection, infringement and enforcement. The expert group follows a broad multifaceted approach where technological features are considered alongside societal, social, economic and environmental aspects." An IP technology superhero team, basically.

Tech sabbatical. Fixed-term contract as turnaround CEO, helping a historic music education nonprofit achieve financial goals through restructuring and transformational activities. Balancing commercial rigour with a nonprofit's mission taught me a lot.

Europe's most popular online music magazine in mid-2000's. Acquired in 2007. - Over 250,000 validated unique users daily- Ad-supported magazine, with targeted sponsorship email lists. - B2B services business providing proprietary mailing list & message board solutions for artists on Universal Music, Warners and EMI, plus over 300 music businesses, including the Royal College of Music & Trinity College of Music.SoundGenerator was unique as a cross-genre music destination, with hundreds of artist-perspective interviews, plus 12,000 reviews in seven years! We started out interviewing (a still unsigned) Yeah Yeah Yeah's in 2000, ending 2007 with Rolling Stones, Metallica and Rihanna exclusives in the can. What. A. Blast.

Metropolis Studios: Engineering credits - All Saints, David Bowie, Richard Ashcroft, Mick Hucknall.Gormac Music w/composer Andrew T. Mackay: Engineer & Sound Designer - numerous film credits. Commercial work with P&G, Imagination Studios, Williams BAR F1, Renault. Music publishing development deal with EMI Chrysalis.