I am currently Head of Creative at Hub Media, London, overseeing all production and post production for both the London office and our offices in California and New York.Hub has been successfully delivering award winning video and animation for over 20 years for some of the world’s most famous brands. Working with creative directors, brand teams, design units and heads of marketing we make videos that marry one-of-a-kind creative with carefully crafted messaging. Our work is used to communicate ideas across a variety of media; from Film to Broadcast to Digital Campaigns, BTS and Brand films. Hub are committed to finding, nurturing and utilising the best talent in the industry and have become known as one of the most versatile, yet creatively accomplished, production companies in Europe and North America.Since 1995 Hub have worked with a variety of household brands, multinational blue chip companies and government offices, including GlaxoSmithKline, NHS, Unilever, Gazprom, CBRE, BMW Mercedes Benz, Audi, Dyson, Dove, TRESemme, PG Tips, Halifax, Tony&Guy, Gillette, Ponds, Domestos, Persil, Rexona, Sure, Lipton, Axe, Lynx, Philips, City & Guilds, The Conran Family, Rolls Royce & Network Rail.

Working as a freelance editor and motion graphics designer in London; working closely with clients my credits encompass a wide range of work including documentaries, features, shorts, promos, commercials, corporates and training DVD’s, streaming media, virals, music videos through to live editing on location. Promotions include C4, MTV, Sky One and various corporate projects including Bedfordshire County Council and a high profile campaign to crackdown on uninsured drivers with the MIB and Thames Valley Police.

Working as a freelance editor and cameraman in Jerusalem and Tel Aviv for various news agencies. The ability to manage multiple assignments and to think quickly and condently were essential to the role, as well as working independently and dealing with people in a variety of situations. Work included both linear and non-linear editing and much on-location work to tight deadlines.

Working as a runner and later production assistant both in the production and post-production offices and on-set of films such as Notting Hill, Billy Elliot and Bridget Jones' Diary. Responsibilities included filming and editing audition tapes, the logging and copying of rushes, the delivery of tape masters, standards conversions, checking and maintenance of technical equipment as well as administration work to support the production staff.