The Great British Bake Off: Main Series, Professionals, Junior and Celebrity Stand Up to CancerLocation backup of 30-60 hours footage per day, 8-15 cameras + sound.Liaising with DOP and camera operators to ensure images are optimally exposed. Creating detailed rushes thumbnail logs and spreadsheet log entry for each card.Pre-grading clips of interest and exporting stills, selects and rough edits.

Secure backup & Ingest of HD, 48 and 8K rushes, applying colour transformations and LUT's, logging, creating playouts/dailies, syncing audio, applying LUTs, and media managing across drives.On some technically demanding productions, I have wrangled data from 23+ cameras and 30+ sound devices, often creating new workflows and software to meet production requirements. I managed multi-cam 4K rushes, ensuring verified backups, generating ProRes edit proxies, and making spot checks on footage captured on drones, Alexa Minis, and other setups. Additionally, I have worked on an 8-camera multicam series, performing offloading, creating detailed thumbnail logs, conducting grade tests, and working with the DoP to ensure high-quality results.

I developed cuting edge hardware & software for the Television Industry, creating bespoke solutions to facilitate otherwise impossible workflows.I also managd a team of Edit Assitants and DIT's, finding them appropriate work placements which I would train & suppport them accross.

Leading a small team at the BBC Natural History Unit. Provision of psot production ingest & edit equipment to facilitate 4 Premiere offline edit machines all working from 36TB shared storage with remote desktop capability.Navigating the vast BBC archives for rushes on tape and hard drive in various formats shot in the last 15 years from SD to HD to 8K.Now showing on: Disney+, Apple TV, Prime Video & ABC

Responsible for technical and post-production requirements for multiple productions, with support from an Edit Assistant who worked under my supervision.My role also included fabricating bespoke equipment, such as a FLIR thermal drone camera, hydrophone technology.Additionally, I developed a database system to manage over 10,000 archive clips, assigning each a unique name and matching it with copyright and other relevant information.

Broad experience in Edit Assisting, Media Managing, and Motion Graphics, developing content for web and social media across various projects. This also included creating motion-activated infrared "Camera Traps" in extreme conditions, such as -36°C, and a remote-controlled rig to film inside a wolf den.I’ve worked in challenging locations like Yellowstone, Iceland, Cuba, and Zambia, rigging multicam setups, shooting timelapse, and operating specialized equipment like the Shotover, RED camera, ABC crane, and Movi gimbal. I managed hundereds of terabytes of footage from RED, Amira, F55, A7s, and GoPro, and handled hundreds of cards in time-sensitive "as live" productions. My role included syncing, creating proxies for 4K/UHD/HD media, and maintaining quality control with archive material, ensuring smooth workflows under tight deadlines.

Responsible for all technical pre and post production requirements for eleven 5 minute films each month. Supporting multiple edits with tape and tapeless based workflows from pre production to end-of edit ensuring that we hit several tight turnaround deadlines each week. I am solely responsible for safekeeping all data, including recovery procedures. As part of my role I also create motion graphics, shoot, rig & assist on location and fabricate electronic solutions for specialist shooting requirements, for example long term unmanned time-lapse enclosure & controller and remote pan/tilt controller for hot head on our camera crane.

Data Wrangling, Lighting, Camera, After effects, Final Cut Pro, Photoshop Various practical production & post production tasks which ensure the smooth running of the company as well as keeping clients happy.Clients include: FT, Barclays, Channel 4, BBC, ITV, AOL, NSPCC