Daniel Wilde Email & Phone Number

Adelaide, Sa, Au

Adelaide, South Australia, Australia

Adelaide, Australia

Black Sheep is smaller and more agile than other agencies I’ve worked for. This means I’ve had an opportunity to wear lots of different hats: UX Researcher, UX Designer, Marketing strategist, creative writer, project coordinator, video producer. I do whatever I can to help clients achieve better results, suggesting new avenues for lead generation, adapting social strategy, and looking for sponsorship and branding opportunities. • Manage budgets and maintain margins • Create and manage project timelines• Project coordination• Planning and strategy for campaigns• Coordinating website and web admin platform builds• Helping clients to plan digital campaigns, advising on technical delivery, legal compliance and best customer journeys• Project managing website builds • Producing video content • Writing copy for customer communications: Digital campaigns, social, web and EDM copy primarily • Planning social media campaign calendars• Devising Marketing strategy• Managing relationships with clients • Delivering campaign support and reports to clients • Preparing quotes, requesting PO’s and invoicing

Adelaide, Australia

The Rowdy Group is one of Adelaide’s most creative advertising agencies. I was fortunate to work with an incredibly talented team of strategists and creatives. I’m trusted to look after some important clients including RAA and Meals on Wheels, with responsibility for building relationships and helping to develop strategy, as well as briefing and managing campaigns of all sizes. • Managing budgets and maintaining margins • Creating and managing project timelines• Developing brand/communication strategies• Managing website content • Creating and managing timelines• Preparing; pitches, reports, and awards documents• Developing relationships with clients and looking for opportunities to deliver exciting additional projects for them, which secure additional budget for us.

London

That Lot is a creative agency focussing on social media strategy and content. They are lucky to work with some incredible brands including Nando’s, HSBC, Jamie Oliver, and IHG. I have even been responsible for the official Twitter account of Great Britain, run out of Downing Street. When I joined, That Lot had 8 employees. They are now 100-strong with a growing list of clients and awards. My role at That Lot was roughly split in two: A producer on large video projects, and an account manager for retained clients, developing and implementing their social media strategy, as well as managing the production of all creative assets. • Producing video content• Managing budgets and maintaining margins • Developing content strategies • Writing content for social media channels • Creating and managing content calendars• Sourcing and managing freelance creative talent • Managing internal creative teams• Interpreting client briefs for the creative team and running brainstorms• Preparing post-campaign reports, and presenting them to clients• Preparing; pitches, reports, and awards documents• Setting up, and managing advertising spend on client social media accounts• Developing relationships with clients and looking for opportunities to deliver exciting additional projects for them, which secure additional budget for us

Client facing roleWorking with agencies, and household brands on multi territory campaigns.Planning and coordinating website and web admin platform builds.CopywritingManaging and reporting on live campaigns Advising on compliance and writing terms and conditions.Budgeting, quoting and invoicing

Developing new television programme ideas for British broadcasters: Creative pitch writing, planning and running brainstorms, meeting with potential new talent, planning runthroughs and video editing

Auckland

Good Morning is New Zealand’s highest rating daytime TV show, broadcasting weekdays between 9am-12pm. I was solely responsible for the Friday morning show and produced three hours of live television each week. Over 150 hours of live TV in the last year. This has been my most fun and challenging role to date. Each show comprised of roughly thirteen separate eight-minute segments of entertainment. Responsibilities included:• Creating new ideas for segments, finding experts/celebrities to present them• Managing regular guests and celebrities, suggesting content, scripting and staging their segments and making sure they met deadlines• Finding local news stories, pre-interviewing the people involved to come in and talk on the show• Writing the script and questions for all interviews and segments• Booking celebrities for interviews, conducting all background research on them• Booking bands & musicians, coordinating and managing their staging requirements • Writing copy for the website• Compiling a document of notes for our presenters, a rundown of each segment in the show, and backgrounds on any celebrities, clubs, sportsmen or events being covered on the show.

Auckland

I spent time working alongside John Harris, owner of Greenstone Pictures, to devise and develop a number of factual entertainment formats and documentaries. All of these were for New Zealand broadcasters. Generating and pitching new ideas for factual entertainment formats internallyDevising structures for new television formats Using my research to create dynamic written pitches for network commissioners

Melbourne, Australia

I have spent a year in Melbourne working as a freelance video producer/editor, formats developer and copywriter, corporate clients included:Rebel Filmswww.rebelfilms.com.auSummit of the Minds www.summitoftheminds.comProeye Television www.proeye.tvMelbourne Aquarium www.melbourneaquarium.com.au

Tiger Aspect is one of the UK's most influential television production companies. I was fortunate to spend time with Tiger's very successful entertainment department as a Senior Development Researcher. Our team's goal was to devise, work-up and sell prime time formats to leading UK broadcasters: BBC1, BBC3, ITV, Channel 5 and Living TV. We achieved two big commissions with; 'Under Cover Dad's' and 'Eurovision, A song for Justin'. Responsibilities of the role included:Generating and pitching new ideas for factual entertainment formats Devising detailed, minute by minute structures for new television formats Using my research to create dynamic presentations and written pitches for network commissioners Using journalistic research skills to find unique human-interest and current affair stories Seeking/casting contributors and find filming locationsProducing pilots and taster tapes

London, United Kingdom

MTV is a global television broadcaster and production company. I worked with 'The Greenhouse' department generating ideas for new entertainment series' to be aired on MTV Europe. Our team achieved notable success locating and casting characters for 'Living on the Edge' a successful MTV Europe commission for our team. Generating ideas for new entertainment formats for the MTV networkWriting pitches to sell new format ideasDevising minute by minute structures for new formatsSourcing, casting and writing detailed biogs on contributors for reality TV, documentaries and game shows Booking talent (comedians, authors, celebrities and journalists) to work with MTV to create pilots Filming pilots and taster tapes

I spent a year within Talkback working on a music panel show called Never Mind theBuzzcocks. One of the BBC's most iconic entertainment shows. My role in the team was split across two main responsibilities: To research and compile concise, detailed written biographies of the show's celebrity guests for use by the scriptwriters. This was achieved by locating, reading through and summarising scores of news articles, interviews and editorials from the BBC's historical archives. I was also given sole responsibility for seeking and securing celebrity bookings for one of the show's most iconic segments 'The ID Round'. In this round we would drag an aging pop star from the annuls of time onto the stage to see if our panel could still recognize them 20 years after their last hit. The round could be fairly humiliating on the ex-star, especially if they were asked to don their original stage costume (think tight leather trousers and, spandex cat suits). I was given a limited budget, a very short time frame and a book listing every British 'Top Ten' pop song going back 50 years. The job involved a great deal of detective work, a lot more over-the-phone persuasion and some bruised egos. It was genuinely the most fun jobs I have ever had.

Ux/Ui Transform

Bachelor Of Arts (B.A.), Media And Cultural Studies, 2:1

Media with Cultural Studies BA (Hons)