I was contracted as the sole artist to create the re-vamp of the very popular online game responsible for $200M/year in revenue until an ownership dispute halted operations in 2017. After the courts ruled on the matter, I was hired and built the fully-functional front end, from concept to deliverable, and had been given almost full creative freedom to do so with the sole condition that the product must have continuity with the original.With less than a month before delivery, production was postponed due to the filing of an appeal in the courts over the original IP ownership case.

I was recruited and hired to lead a talented team from concept, research and development, to final delivery on a pair of contracts awarded to Science Applications International Corporation from the CIA and the US Department of Defense.The projects were contracted by the respective agencies for the purpose of training and testing personnel in their digital acumen and field-preparedness, as well as capturing real-time data and analysis on their physical and mental response to specific A/V stimuli of real-world scenarios of threats in the digital age. This stimuli was administered through Virtual Reality and Augmented Reality experiences which were purpose built and developed to extract useful data from each participant. The data have an endless number of practical applications, the most immediately apparent being to develop safer protocols and practices for the agencies to implement.After delivery of the project, I was selected and given the honor to create the 4-minute 3D animation to serve as the ‘keynote’ for the CIA’s ‘All Hands On Deck’ conference, a yearly event held by the agency to introduce the latest cutting-edge technology in the modern world and where new and exciting innovation may intersect with concerns of national security.

I started and ran a VFX/motion graphics/post production studio for several years and had the opportunity to work on a wide range of projects from real-world product design to visual effects for feature films.I served a wide variety of clients ranging from successful sports franchises - such as the Detroit Pistons - to recording artists - such as creating the $24 million-dollar music video, “Good Life” by Mr. Kim Dotcom.