Patrick Mccarthy Email & Phone Number

Los Angeles, CA, US

Los Angeles, California, United States

In my role, I oversee a comprehensive digital presence across multiple platforms, developing and executing social media campaigns, managing SEO and Google Adwords, creating engaging content, and leading website development initiatives. I aim to align digital strategies with company goals, optimize online visibility, and drive audience engagement.

Los Angeles, California, United States

A record label focused on archival releases as well as music from contemporary artists.

Los Angeles, CA

As Lead Project Manager, I managed releases, reissues and all custom projects for Light In The Attic Records (and imprints Future Days Recordings, Cinewax and Modern Classics Recordings). Day-to-day, I shepherded projects from the research stage to final product release, including everything from digging around in dusty garages for tapes and photos to.

Los Angeles, California, United States

In 2015, I co-created and branded the popular Light In The Attic Podcast, delivered periodically with 100,000+ downloads. In my role, I successfully pitched stories that directly supported releases as well as those that existed in our general orbit. These episodes featured interviews with such icons as Willie Nelson, Flea, Daniel Lanois, Jarvis Cocker.

Los Angeles, CA

Daily blogger for LightInTheAttic.net, including weekly "Record Store of the Week" feature as well as weekly distributed record reviews. Launched LITA's Instagram, Twitter and YouTube accounts. Managed social media campaigns, including play-listing, release announcements, giveaways, and parties. Created weekly giveaway "Free Basin' Fridays" and popular.

Brooklyn, New York, United States

"Big Star: Nothing Can Hurt Me" is a feature-length documentary film about the dismal commercial failure, subsequent massive critical acclaim, and enduring legacy of pop music's greatest cult phenomenon, Big Star. Released by Magnolia Pictures in 2013.Co-created with Danielle McCarthy, and later completed with co-directors Drew DeNicola and Olivia Mori..

New York, NY

While working as a professional recording/mixing engineer, I worked nights as a Front of House mix engineer at The Bowery Electric. Responsibilities included setting up and breaking down the PA, working with bands to load-in/soundcheck, stage managing, assisting DJs with the in-house playback systems, and operating the light board during shows.

Brooklyn, NY

For five years, I was very lucky to have been part of the family at the Seaside Lounge. I started as an intern while in college and quickly learned the ropes, including booking and coordinating sessions, invoicing/receiving payments, and the many facets of running a small business. Within the year I was brought on as an assistant engineer and soon after a.

Brooklyn, New York, United States

Assisted engineer Tim Hatfield and producer Eric “Roscoe” Ambel in their private studio. As an assistant, I placed mics for sessions, tape op'd, organized and cleaned the studio, assisted in mix sessions and created recall sheets.

New York, New York, United States

As the Assistant Technical Director, I engineered and recorded audio for live performances, including John Snyder's Artist House Series featuring Cecil Taylor, Clark Terry, Barry Harris, Hank Jones, and others. Additionally, I recorded sound for in-house documentaries supporting exhibitions at the museum. I was also responsible for all of the data managed.