Roxanne Oak Email & Phone Number

London, England, United Kingdom

London, England, United Kingdom

• At the forefront of ensuring that Warner Music Group sets the standards for excellence in Metadata and enable accurate registration with Neighbouring Rights societies so WMG can maximise the revenue received from public performance.• Overseeing GCDM users within the PDM team that all products are entered correctly and analyse label copy data accuracy, whilst also communicating data standards to labels and affiliates worldwide.

Kent, England, United Kingdom

Artists: Meduza / Gok Wan / James Hype / MistaJam / Tita Lau + more. Labels: The Cross Records (Dance Division of Island UMG) / Sterohype (James Hype) / ODIZZEA (Meduza coming soon..)• Publishing Manager / A&R Coordinator: Initiate and organise studio sessions and writing camps for all artists globally. Discuss creative ideas, new singers/songwriters and producers depending on artists’ requirements. Consult artist management and/or publishing teams to pitch ideas, coordinate dates, studio locations and start times. Brief session personnel prior to any specific targets and ensure the day runs smoothly for all involved. Oversee all communications after the session, seek sample clearance from original publishers and/or master owners if required. Pitch record out if necessary, negotiate fair publishing/master splits and fees. Register works on PRS and reach out to Sync departments for additional opportunities.• Remix Manager: Scout current popular and trending records for remix opportunities. Review remix requests, negotiate contract terms, remix fees, mix & mastering costs and deliver final product requirements such as multiple audio versions formats within deadline dates. Providing A&R feedback to artist and label until final masters are approved and release date scheduled. Follow release rollout plans and keep active on social media, marketing and promo tasks to ensure the remix reaches the maximum potential of sales and streams. Register sound recording on PPL for neighbouring rights collection. Analyse royalty statements.• PA to Directors: Undertake diary management, arranging physical or digital meetings as required including liaising effectively with internal and external associates on behalf of the Directors, while being conscious of time zones.• Other Duties: Label Manager for Dirty Dutch Music, Gok Wan’s” Isolation Nation Records, James Hype’s Sterohype, Meduza’s Label ODIZZEA coming soon.• Assisting with various artist management tasks when necessary.

London, United Kingdom

All Around The World / 3BEAT Music (6M) – Virgin EMI (6M) – Caroline International (6M+)Main Purpose of Role:• To provide a metadata service for Universal Music Group labels. The team manages repertoire setup, research, completion and approval tasks for both frontline and catalog releases managed within the UK.• The quick and accurate resolution of data issues is critical to the success of this role. This will often require liaising directly with our legal, finance, royalties, distribution, reporting and business partners globally to ensure that a solution works for all parts of the business and that a release date is not missed.• To handle all release requirements for all future central catalog digital initiatives and retailer exclusives/ranges to ensure that the growing number of digital products required by the group is catered for.• To handle all release requirements for physical and digital (audio and audio-visual) for migrated content plus all future label/catalog acquisitions.• Respond to all international territory requests for digital or mobile set-up of Universal-owned catalog.• Ensure correct and complete product setup in UMGs proprietary metadata tool (R2) so that revenues for the group’s audio-visual content online is claimed and secured.• Ensure audiovisual ‘non-commercial’ content is captured in an asset repository and R2 and delivered to all relevant partners to required deadlines.• Ensure quality control on data entered into the R2 system.• Ensure data clean up in R2 on behalf of the repertoire owning labels.• Handling projects pertaining to the acquisition of 3rd parties and related data migration and set up.• Liaise with production and delivery teams to ensure all projects are scheduled correctly

Kent, England, United Kingdom

My common day-to-day role at ClubClass involves various tasks such as; Digital Distribution of labels singles and albums. Before delivery, I ensure that all assets such as artwork, masters, and label copies are ready to be submitted and sold on all DSPs. Distribution companies I work with vary but I am most familiar with companies such as INgrooves, AMPsuite & The Orchards structures.Due to working with multiple labels, their needs differ so it is my responsibility to make sure I am their first contact when any problem occurs. Ultimately I maintain any general issues, metadata changes, takedowns or catalog clean-ups, etc when necessary. I am familiar with the UK’s PPL process with registering right holders' sounds recordings for performance and neighboring rights.My next job is then to gain as many Licensing deals as possible for all releases. In this role, I frequently keep in close contact with all licensees of all territories and negotiate an increased amount on their initial offer. I have signed hundreds of non-exclusive/ exclusive deals including Master use and synchronization over the last 5 years for Major and independent labels. Early this year I also enrolled on a Berklee online course in Music Licensing. This gave me extra inspiration, alternative ideas, and a view of different approaches and techniques to maximize the full potential of licensing, which I now exercise daily. I also touch base on the Accounts and administration sides, such as invoicing artists’ performance fees on a daily basis and overall management of all bank transactions of any kind. In doing this, I speak with club promoters, artist agencies, and industry associates, dealing with their needs of tax forms, contracts, and general requests needed to pay production/remix fees, royalties, artists' flights etc. In helping within this side of the business I have to keep a high demand of administration up to date and organized and keep good time management.

Berklee Music Licensing

Youtube Digital Rights Management