Stephen Mcnally Email & Phone Number

Brooklyn, New York, United States

In general, I create a wide variety of video content, including title sequences, broadcast design elements, commercial work, in-arena graphics, and info-graphic pieces, among many other types of animations. At Undefined, I worked with major clients, such as NBC, NHL, CBS, ESPN, NBA, A&E, and DIY Network. Prior to working at Undefined, I worked with Pitchfork.com's video site - Pitchfork.tv - for 2 years and Nitrous for 3 years. I live and work in Brooklyn, NY.

Brooklyn

I am currently working for Undefined Creative, a design/animation/post-production company in New York, where I am the Senior Animator/Designer. I primarily work in After Effects and Cinema 4D to create a wide variety of video content, including explainer animations, graphics packages, data visualizations, political ads, info graphics, and TV commercials, among other types of motion design.

New York, Ny

At Nitrous I specialized in 2D and 3D motion graphics/compositing, and created a wide variety of video content, including title sequences, broadcast design elements, and info graphics, among many other types of animations. I designed, animated, composited, tracked video, rotoscoped, matched-move, applied 3D texture, and managed renders for Nitrous. Clients included HBO, ESPN, Discovery Channel, EPIX channel, and many others.

Brooklyn, Ny

My primary role since starting last year has been to help launch the Pitchfork 3D series. As the only animator/compositor at Pitchfork, I was completely responsible for essentially all post-production of the 3D videos completed.• Oversaw the animation and compositing of Pitchfork.tv’s 3D series from conception through launch• Animated and composited entire anaglyphic 3D music videos for the bands Deerhunter, Wavves, and Neon Indian• Led the compositing and animation of the 3D videos for the bands Delorean and Tame Impala• Animated promotional graphics for Intel’s sponsorship of Pitchfork 3D• Made introductory titles for the Pitchfork 3D series and Pitchfork’s Over/Under series• Composited and edited the band Bear in Heaven’s “Dust Cloud” 3D video• Assisted with other videos in various ways including shooting, tracking, color correction, rotoscoping, and general animation/compositing issues as needed

• Personally contributed to between 20 and 30 consulting projects annually, totaling over $4 billion in real estate value, as one of four associate-level consultants at the firm• Researched real estate markets nationwide to evaluate the climate for residential, commercial, industrial, and retail development and investment.• Crafted marketability studies for developers focused on projects in both pioneering and mature markets • Created financial models, feasibility studies, and appraisals for institutional investors and pension funds• Inspected properties and visited development sites to perform the necessary due diligence when assessing a property

Responsible for compiling, analyzing, researching, and communicating data and information pertaining to potential new-build hotel developments, historic redevelopments, and hotel acquisitions. Developed and maintained nearly every number for all prospective and existing development projects. Extensive experience in modeling complex hotel real estate deals.

M.S., Digital Imaging And Design

Activities and Societies: Digital Animation Network

B.S., Hotel Administration

Activities and Societies: Hotel Ezra Cornell 77 and 78, Cornell Sports Management Group, Cornell Hotel Society