Rorschach Theatre tells stories that allow for innovative design and visceral performances. The company treats productions as “installations” that surround the audience with the world of a play. The work centers on the intersection of magic or impossible moments and every day human experiences. Without proselytizing, it provides a complex, intellectual catalyst for self-exploration of challenging subjects.

(RECENT SELECTED HIGHLIGHTS - for a complete list: randybakerdc.com)* Wolves in the Lion City (COMMISSIONED and PRODUCED (2019) at Theatre Lab Summer Acting Institute for Teens* Forgotten Kingdoms (PRODUCED Rorschach Theatre 2017 / Winner 2012 Larry Neal Award / Reading National New Play Network, 2011 / Winner 2011 Annual Playwriting Competition Arts Club of Washington / Public Reading Wordsmyth Theatre 2012 (Houston, TX) / Reading at MTWorks’ National Newborn Festival 2013 (New York) – Winner Audience Choice Award / Reading in Indonesia with Jakarta Players)* Truth & Beauty Bombs (PRODUCED RORSCHACH THEATRE - Adapted from web series ”A Softer World” by Emily Horne and Joey Comeau. Lead writer in a team of playwrights)* Rashōmon (PRODUCED by American University / Adapted from the stories of Ryūnosuke Akutagawa and from the devised work of cast / Reading of New Version at Spooky Action Theatre in 2017 )* The Burning Road (Developed by Arena Stage at the Playwrights Arena / Public Reading in the Kogod Cradle March 2014)* wild42hold (Production March 2013 - commissioned by George Washington University)* The Monastery (Commissioned and developed by Theater J - Upcoming Staged Reading 2013)* Circus of Fallen Angels (commisioned and Produced by Actors Repertory Theatre / Public Reading American University)

(RECENT SELECTED HIGHLIGHTS - for a complete list: randybakerdc.com)* THE LEGEND OF HANG TUAH (Pointless Theatre, 2020) * SHE KILLS MONSTERS by Qui Nguyen (Rorschach Theatre, 2019)* HELLO MY NAME IS... (The Welders, 2017): 3 Helen Hayes nominations including Best Director* THE ELECTRIC BABY by Stefanie Zadravec (Rorschach Theatre, 2016)* LORD OF THE FLIES adapted from William Golding (Imagination Stage Conservatory, 2016)* A MIDSUMMER NIGHT'S DREAM by William Shakespeare (WSC Avant Bard, 2016)* BIG LOVE by Charles Mee (Catholic University, 2015)* VERY STILL AND HARD TO SEE by Steve Yockey (Rorschach Theatre, 2015): 5 Helen Hayes nominations including Best Director* RASHOMON by Ryūnosuke Akutagawa (American University, 2015)* SHE KILLS MONSTERS by Qui Nguyen (Rorschach Theatre, 2014)* MARAT/SADE by Peter Weiss (American University, 2013)* THE MINOTAUR by Anna Ziegler (Rorschach Theatre, 2013)* AFTER THE QUAKE by Haruki Murakami (Rorschach Theatre, 2011)* 1001 by Jason Grote (Rorschach Theatre, 2009)