Creating characters and working with outsource to make art for Star Wars Galaxy of Heroes.

At Panic Button, I worked in many disciplines depending on the needs of our projects. I worked on UIand icon creation for Hob, Torchlight 2, and Doom Eternal. I made 3d creature pets for Torchlight 2 andworked on model cleanup and optimization for Doom Eternal as well as learning Doom's proprietaryengine.Most recently, I've worked on an internal project creating a character and environmental pipeline usingUnreal 5 and high fidelity assets.

I worked as a 3d generalist who focused mainly on environment art. I have worked on projects in nearlyall stages of development at Disney - from prototyping and preproduction to a finished game.Most days, I was tasked to create environment models which ranged from props to heroic assets likeships all the way to entire levels. I went through all stages of creation - greyboxing with designers,modeling, UVing, texturing, creating lightmap UVs, lighting, baking, implementation in engine, creatingcollision, and setting up final polish items such as light and reflection probes.When environment or prop tasks weren't an immediate need, I worked on fixing or polishing charactersthat came from outsource and occasionally creating characters from scratch.I have worked closely with artists from multiple disciplines, such as animation, UI/UX, and concept.

Worked as an intern mostly doing environment art and some early character exploration for a prototype Star Wars game. This game eventually went into full production, at which point I was hired on full time as a 3d Generalist.

I worked on the title: Maelstrom, which is a naval ship combat game. I created 3 heroic ship models / textures / materials. I also created some creatures, special attack cannon balls, pickups, and helped contribute to the general look and style of the game.

Worked as a 3d Environment artist on a 50+ person team. I built naval vessel rooms and pipe systems matching point cloud data and photographs as precisely as possible for military simulation and training. I worked in 3ds Max, UE4, and Photoshop mostly. UVing and LM UVing were incredibly important, as the rooms and pipe systems were incredibly complex and heavy. So good efficient usage of UVs were very important to making sure that the rooms looked realistic and high quality.